6.8/10
2,229
4 user 29 critic

Leopardi (2014)

Il giovane favoloso (original title)
Based upon the short but fruitful life of illness-racked Italian poet and philosopher Giacomo Leopardi.

Director:

Mario Martone
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19 wins & 16 nominations. See more awards »

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Cast

Cast overview, first billed only:
Elio Germano ... Giacomo Leopardi
Michele Riondino ... Antonio Ranieri
Massimo Popolizio ... Monaldo Leopardi
Anna Mouglalis ... Fanny Targioni-Tozzetti
Valerio Binasco Valerio Binasco ... Pietro Giordani
Paolo Graziosi ... Carlo Antici
Iaia Forte ... Signora Rosa
Sandro Lombardi Sandro Lombardi ... Don Vincenzo
Raffaella Giordano Raffaella Giordano ... Adelaide Antici Leopardi
Edoardo Natoli Edoardo Natoli ... Carlo Leopardi
Federica De Cola Federica De Cola ... Paolina Ranieri
Isabella Ragonese ... Paolina Leopardi
Giovanni Ludeno Giovanni Ludeno ... Pasquale Ignarra
Giorgia Salari Giorgia Salari ... Maddalena Pelzet
Gloria Ghergo Gloria Ghergo ... Teresa Fattorini
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Storyline

Based upon the short but fruitful life of illness-racked Italian poet and philosopher Giacomo Leopardi.

Plot Summary | Add Synopsis


Certificate:

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Details

Country:

Italy

Language:

Italian | Greek | French | Neapolitan

Release Date:

16 October 2014 (Italy) See more »

Also Known As:

Leopardi See more »

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Box Office

Opening Weekend:

€1,108,000 (Italy), 20 October 2014
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.85 : 1
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Did You Know?


Soundtracks

Sei Sonate a quattro
Written by Gioachino Rossini
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User Reviews

 
A life of poetry successfully transformed to cinematic beauty and realism.
4 May 2015 | by clanciaiSee all my reviews

This is a breathtakingly beautiful film, doing justice both to the unfathomable tragedy of the poet and his whereabouts, character, relationships and experiences, with a fascinating conclusion in Naples of apocalyptic scenery aptly illustrating the almost Goya-like dark world of Leopardi's visionary imagination. Some of the best scenes show some of his outbursts, which pinpoint his case: at one point in a tavern he hits the nail by resoundingly demonstrating that his dark poetry has nothing to do with his terrible physical condition but is only pure poetry of the mind and nothing else. All the acting is superb, and the bold experiment of using modern music, or at least more music made today than in the 1800s, is intelligently successful. The temptation is great to give this a full 10 point score, but it's at least 9.5 for certain. At first you suspect there will be no real story, that it will be like a parallel film to the morose William Turner film earlier this year, but the story is there and gets clearer the longer the film goes on, following with overwhelming carefulness the development of Leopardi's declination with his horrible illness, almost developing into a freak, but he never falls into that trap but sustains his sovereign poetry all the way. He has been called the greatest Italian poet after Dante, and there is something to it, the beauty of his poetry contrasting sharply against its contents of mainly associating with suffering, agony and death. For all his decrepitude, his life was the more passionate, which the film carries forth with realistic style and eloquence all the way. This is a film to watch again from time to time, in spite of its increasingly excruciating pain, but once you have seen it the first time, you can the next time concentrate your attention on its poetry and beauty. The horrible invalidity is only a frame for enhancing the beauty of this life and accomplishment.


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