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A woman running from a terrible truth hides out in a remote hills town with her young daughter until her past catches up with her and an impossible choice must be faced

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Complete credited cast:
Leeanna Walsman ... Dawn
John Crouch John Crouch ... Barry
Onor Nottle Onor Nottle ... Steph
Lisa Flanagan Lisa Flanagan ... Shop Keeper
Matt Day ... John
Aaron Cartwright Aaron Cartwright ... Man on phone
Emily Brown Emily Brown ... Ferry Operator
Greg Hatton ... Nick
Shane Connor ... Carl
Jacquy Phillips Jacquy Phillips ... Op Shop Clerk (as Jacqy Phillips)
Zoe Laidlaw Zoe Laidlaw ... Roadhouse Waitress
Blake Richardson Blake Richardson ... Boy
Brian Cowling Brian Cowling ... Petrol Attendant
Marc Brown Marc Brown ... Ferry Operator
Kyall Logan Kyall Logan ... Ferry Operator


A woman running from a terrible truth hides out in a remote hills town with her young daughter until her past catches up with her and an impossible choice must be faced

Plot Summary | Add Synopsis



Official Sites:

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Release Date:

21 May 2015 (Australia) See more »

Also Known As:

Touch See more »

Company Credits

Production Co:

Triptych Pictures See more »
Show more on IMDbPro »

Technical Specs



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Did You Know?


I Feel Alright
Written by Don Morrison
Performed by Don Morrison and The Elmores
Used by permission of Don Morrison
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User Reviews

Classy, intriguing, original, sincere and intelligent.
22 May 2015 | by andrewbunneySee all my reviews

Touch is a highly original psychological thriller. After a traumatic event, a mother, Dawn (Leeanna Walsman – Manny Lewis) is on the run with her daughter, Steph (Onor Nottle). She is pursued by a frantic ex-cop (Matt Day - Rake, Doing Time for Patsy Cline). Quite what is driving Dawn, we are initially unsure but there is a persistent sense of danger. She might be a victim but she behaves unpredictably.

This is a finely-crafted, classy production in all respects. The image-making is superb, from haunting vistas of the ancient rolling Adelaide hills of South Australia to claustrophobic scenes in interiors of cars and motel rooms.

The lead performances of Walsman and Day are magnificent and they are particularly well supported by young Nottle as the daughter and Greg Hatton as a cop. The soundtrack is varied and includes local songs which lend authenticity and help create unique moods and atmosphere.

Touch is often disturbingly dark, powerfully visceral, troubling and raunchy. It is a puzzling mystery with a powerful emotional resolution prompting comparison to the classic Australian psychological thriller, Lantana.

In Touch, an intriguing and discomfiting story about parental love is steadily and artfully unfolded with depth, sincerity and intelligence. The rendering of the emotional landscape has the ring of truth. 4 stars

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