7.2/10
480
3 user 10 critic

Decor (2014)

This unique black and white film is a psychological drama about an Egyptian production designer named Maha. The film takes an unnerving turn when she finds herself transported into a ... See full summary »

Director:

Ahmad Abdalla

Writers:

Mohamed Diab, Sheren Diab (screenplay) (as Sherin Diab)
Reviews
1 nomination. See more awards »

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Cast

Cast overview:
Kal Naga ... Cherif (as Khaled Abol Naga)
Maged El Kedwany ... Mustapha
Houria Farghally ... Maha (as Horeya Farghaly)
Samar Morsi Samar Morsi ... Herself
Mahmoud Hamdy Mahmoud Hamdy ... Maha's brother
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Storyline

This unique black and white film is a psychological drama about an Egyptian production designer named Maha. The film takes an unnerving turn when she finds herself transported into a completely different persona-a married housewife. This original piece remarkably captures the loneliness faced by some sufferers of mental illness, as well as the challenges faced by their loved ones. Filmmaker Ahmad Abdalla (Rags and Tatters, LFF 2013) fashions a beautiful tribute to the golden era of 1940s and 1950s Egyptian cinema. Abdalla shows plenty of aesthetic invention that has rightly seen him hailed as the leader of the critically acclaimed new independent Egyptian cinema. Written by new century production

Plot Summary | Add Synopsis

Genres:

Drama

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Details

Official Sites:

New Centure [Egypt]

Country:

Egypt

Language:

Arabic

Release Date:

18 September 2014 (Egypt) See more »

Filming Locations:

Cairo, Egypt

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Box Office

Budget:

$800,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

New Century Production See more »
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Technical Specs

Runtime:

Sound Mix:

Dolby Digital
See full technical specs »
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Did You Know?

Trivia

The movie cost about 800 thousand bucks which equivalent to 5.75 million pounds. See more »

Connections

References The River of Love (1961) See more »

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User Reviews

 
A love letter to Egyptian cinema
14 October 2014 | by reev0See all my reviews

An art director on a B-movie, unhappy with its low standards, finds herself imagining that she is the central character in the film, living a different life...

Not a wholly novel premise (although it does - eventually - end up somewhere unexpected), and at least 20 minutes too long. In its favour, the director's decision to shoot in unflashy monochrome gives it a pleasingly old-fashioned feel, and the cast is excellent - especially Horeya Farghaly, who is the focus of every scene. The burden of making the film feel believable falls on her, and she bears it well.

The film is also a bit of a love letter to the golden age of Egyptian cinema, with numerous old films playing in the background. I am entirely ignorant of Egyptian cinema, but I imagine anyone with an interest in it would find plenty to enjoy in this.

The ending contains quite a neat trick, particularly if you're watching at a festival, as I did...


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