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Ithaca (2015)

PG | | Drama, War | 9 September 2016 (USA)
1:54 | Trailer

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With his older brother off to war, fourteen-year-old telegram messenger Homer Macauley comes of age in the summer of 1942.


Meg Ryan


Erik Jendresen, William Saroyan (novel)
2 nominations. See more awards »





Cast overview, first billed only:
Alex Neustaedter ... Homer Macauley
Meg Ryan ... Mrs. Macauley
Sam Shepard ... Willie Grogan
Hamish Linklater ... Tom Spangler
Jack Quaid ... Marcus Macauley
Tom Hanks ... Matthew Macauley
Spencer Howell ... Ulysses Macauley
Christine Nelson ... Bess Macauley
Gabriel Basso ... Tobey George
Lois Robbins ... Mrs. Beaufrere
Lucia Scarano ... Mrs. Rosa Sandoval
Molly Gordon ... Mary Arena
Scott Shepherd ... Mr. Corbett
James McCool James McCool ... Lionel
Ethan Wasson Ethan Wasson ... Auggie


Fourteen-year-old Homer Macauley is determined to be the best and fastest bicycle telegraph messenger anyone has ever seen. His older brother has gone to war, leaving Homer to look after his widowed mother, his older sister and his 4-year-old brother, Ulysses. And so it is that as spring turns to summer, 1942, Homer Macauley delivers messages of love, hope, pain... and death... to the good people of Ithaca. And Homer Macauley will grapple with one message that will change him forever. Based on Pulitzer Prize-winning author William Saroyan's 1943 novel, The Human Comedy, ITHACA is a coming-of-age story about the exuberance of youth, the abruptness of change, the sweetness of life, the sting of death, and the sheer goodness that lives in each and every one of us. Written by Erik Jendresen

Plot Summary | Add Synopsis


Be brave. Do good. See more »


Drama | War

Motion Picture Rating (MPAA)

Rated PG for thematic elements, a war image, and smoking | See all certifications »


Official Sites:

Official site





Release Date:

9 September 2016 (USA) See more »

Also Known As:

Итака See more »

Filming Locations:

Virginia, USA See more »


Box Office


$5,000,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs




Aspect Ratio:

2.35 : 1
See full technical specs »

Did You Know?


Meg Ryan's directorial debut. See more »


When they are in the cinema watching the newsreel, there's a shot of a man carrying a wounded solider across a river. The commentary states "when this country was extending a helping hand..."

The shot actually of an Australian soldier helping a wounded Australian in the Kokoda campaign in New Guinea. The film is footage from Kokoda Front Line, by Damian Parer, who was an Australian combat camera man. See more »


Tom Spangler: Just try to believe that the best part of a good man stays. It stays forever.
See more »


Version of Summer Playhouse: The Human Comedy (1964) See more »

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User Reviews

A little guy on a bike and a lot of sad telegrams.That's it.
30 September 2016 | by peterp-450-298716See all my reviews

"Okay, the faster you deliver messages, the more you can deliver. The faster you pick up outgoing messages, the more we can send. The more we can send, the better our chances of beating western union and staying alive. We're postal telegraph. We get there swiftly. We're polite to everyone. We take off our hats in elevators and above all things, we never lose a telegram."

"Wow!" I thought for a minute. A drama with Meg Ryan and Tom Hanks demonstrating their skills once more. Is it a sequel to the masterful romantic comedy "You've got mail"? Well, it's about sending messages for sure. But Tom Hanks won't send a lot of messages anymore. Or he's sending them from the afterlife. It's the era before the internet even existed. These were the happy days without spam or ransom-ware. But to deliver the telegram within an acceptable time frame, the telegraph services needed young boys who could ride a bike swiftly enough. And since "Ithaca" is situated during the 2nd World War, with lots of American boys fighting on the European continent, it's no surprise most of the messages brought no good news.

And that's something Homer Macauley (Alex Neustaedter) is facing. He's betting his life on being the fastest courier on bike ever. Despite the fact that he's racing back and forth like a kind of Cavendish the whole movie, the film on its own is rather slow. Biggest surprise was the rather limited contribution by Tom Hanks. Was he doing Meg Ryan (debuting here as a director) a favor? Or was it just to stir up the former movie chemistry? In contrast, the film was hugely predictable. I could guess early on in the film which fate Homer was quickly sprinting towards. I know it wasn't the intention to create a mysterious puzzle. But I was hoping for a little surprise. Ultimately, it's once again about fear and hope. Left behind families waiting for some news from their sons who are sent to war. And this combined with the story about a boy, who's confronted with the less pleasant events in life, while delivering these messages.

Because of the short playing time, Meg Ryan failed to unravel the fragile personality of Homer in an orderly manner. His leap to adulthood is fairly abruptly after the death of his father and the departure of his older brother. A brother who writes terribly long letters while on his way to the front, in such a prosaic writing style that it seems as if he wants to win a Pulitzer prize. The occasional reading of excerpts from these letters probably was meant to bring drama into the film. Eventually, I thought it was quite disturbing. A short playing time with a variety of story lines results in unfinished and "fast dealt with" pieces. The loss of a father figure, the responsibility as the eldest son, dutifully performing a job as a courier, the disastrous reports, war scenes, the drama of an old telegraph operator and a mother who occasionally experiences "Sixth Sense" situations. And then there are a few minor (but briefly quoted) secondary plots. It's all a bit too much.

The acting isn't really bad. But it seems like everyone is groping in the dark about his character. Especially Homer's boss Tom Spangler (Hamish Linklater) is such a blurred figure. We can be brief about Ryan and Hanks. As brief as their actual playing time. It's negligible. I only enjoyed the performances of Alex Neustaedter (obvious of course), Sam "Midnight Special" Shepard and the cute Ulysses (Spencer Howell) whose cuddle factor is very high. Especially Shepard makes a momentary impression. A brilliant and intriguing character. Eventually this coming of age story during the war makes a fairly comatose impression. It isn't really vivid.

More reviews here : http://bit.ly/1KIdQMT

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