High schooler Greg, who spends most of his time making parodies of classic movies with his co-worker Earl, finds his outlook forever altered after befriending a classmate who has just been diagnosed with cancer.
This is the beginning of the eighties, and everybody is moving to the beat of the Pop music, as the brand-new concept of the music video appears on television for the first time. However, in Dublin, Conor--a teenager with a sensitive heart--is trying to deal with a tense family relationship, reconnect with his older brother, while dealing with the hostile environment in his new public school. And then, one day, he sees her. Tall, with long chestnut hair, a buttery complexion, and big, dark eyes; an enigmatically beautiful girl standing in front of his school's gate, indolently observing people passing by. But, who is she, and how could a boy ever get noticed by such a distant girl? That's easy. He would form a band. Surprisingly, with every lyric Conor writes, the gap narrows, and with every song he plays, her heart fills with affection. In the end, before a sea of opportunities lying ahead of them, what will the future hold for a brave love like this?Written by
Although it was announced in 2014 that U2's Bono and The Edge were working with John Carney on this film, the collaboration did not come to fruition, except some back and forth in the development stage, due to scheduling conflicts. See more »
During the music video they film in the school, Cosmo mentions the movie Back to the Future; however, Sing Street is based in 1985 and Back to the Future was not released until 20 December 1985 in Ireland. With the time frame of this movie and no indication of him seeing Back to the Future during this time, it makes no sense for him to be aware of what it is. See more »
What does "happy-sad" even mean? How can we be both things? It makes no sense.
It means that I'm stuck in this shithole full of morons and rapists and bullies, and I'm gonna deal with it, okay? It's just how life is. I'm gonna try and accept it and get on with it, and make some art.
So how does that affect our music?
See more »
Written by Robin Scott
Performed by Robin Scott (as M)
Published by Union Square Music Publishing Ltd, a BMG Company.
Courtesy of Union Square Music Ltd, a BMG Company under exclusive licence from Robin Scott. See more »
Greetings again from the darkness. The vast majority of 1980's music usually inspires nothing but groans and an immediate change of the radio channel from me. Yet writer/director John Carney masterfully captured and held my attention with this crowd-pleasing story that leans heavily on the tunes from that era.
Mr. Carney was also responsible for two previous music-centric movies, Once (2007) and Begin Again (2013). He is an exceptional story teller who puts music at the center, but avoids the label of "musical" by making it about people, rather than notes.
It's 1985 in economically depressed Dublin, and a strong opening sequence introduces us to Connor (Ferdia Walsh-Peelo) as his ever-arguing parents (Aidan Gillen, Maria Doyle Kennedy) inform him of the economic necessity of pulling him out of prep school and enrolling him into a much tougher environment one that comes with bullies and hard-nosed teachers/clergy.
Soon enough Connor is hanging with the misfits and inviting an enchanting "older" girl to star in his band's video. She agrees, and wide-eyed Connor quickly sets out to form a band that didn't previously exist.
There are two interesting and fully realized relationships that make this movie click: Connor and the enchanting Raphina (Lucy Boynton), and Connor and his older brother Brendon (Jack Reynor). Brendan is Connor's life mentor and music guru. They are quick to jump on the new world of music videos, and it's a real hoot to watch Connor emulate the style and fashion of Duran, Duran, The Cure, etc.
It's fascinating to note that Connor, while a pretty talented lyricist and singer, doesn't really seem to be in love with the music except as a means to an end a way to get the girl. That said, the real message here is that while teenagers often feel like they can't fix the outside world (parents, teachers, bullies), they can fix themselves by finding a passion in life (the movie uses the term vocation).
It's hard not to notice the influence of such filmmakers as John Hughes and Cameron Crowe, and Carney certainly brings his touch of romanticism. Plus, one must appreciate any movie that delivers an original song as catchy as "Drive it like you Stole it", while also taking a shot at Phil Collins. It's a funny and sweet movie that should really catch on through positive word of mouth.
26 of 44 people found this review helpful.
Was this review helpful to you?
| Report this