Lisa and her adopted sister Marine are inseparable. With Lisa's mother, Millie, they've forged a deep bond and offer security to Lisa's son. When Marine falls in love the family is thrown ... See full summary »
Just out of prison, Nas returns to his neighborhood, Pigalle, where he finds his friends and his older brother Arezki, boss of the bar Le Prestige. Nas is determined to recreate a name and Le Prestige could well serve as a springboard .
Emily is on the road to the sea in a car she can't drive, so she picks up drivers to get her there: it's reverse hitchhiking. Along the way, she meets a father, a brother, a lover, a mother... See full summary »
Jack is encouraged to take the romantic Paris vacation he won, despite just being dumped by his girlfriend. His trip soon devolves into chaos and adventure, when his luggage is swapped for ... See full summary »
Muriel Bayen, a divorced beautician and mother of two, loves to tell stories. She is a huge fan of this singer Vincent Lacroix, in fact she is a dedicated fan. One day Vincent knocks on her door and asks for her help.
During a week-end in the countryside Claire and Bruno, a couple for 12 years, pretend to split. Their friends gossip and all find good reasons for this separation. But has it not already gone too far ?
Antoine Rey looks for a special gift for his sister Melanie on her 40th birthday. He decides to surprise her with a trip to the French Island of Noirmoutier, where they spent many summers as children until their mother's death. On the drive back to Paris, Melanie is seriously injured in a car accident...Written by
'Le Passage du Gois' is a sandbank which connects the island of Noirmoutier to mainland France. It has been sealed and converted into a road (4.5 km long) that is covered twice a day at high tide. There is an alternative route via a bridge (built in 1971) at the southern tip of the island. See more »
It starts off very effectively; a car containing two people who are bickering loudly goes off the road, and both are injured. The reasons for the argument are brought out during the film. I had no concerns about the acting since Laurent Lafitte, Melanie Laurent and Audrey Dana handle their roles very well. Especially Melanie Laurent who can make the most banal, trite story seem like a masterpiece.
My problem was with the story which seemed old-fashioned: one character is positively Victorian in her moral judgements while another seems badly out of tune with the France of 2016. If you're going to make a film that feels like a Simenon tale, it's better to set it in the 1950's, let's say, so that characters and actions can mesh better. With this reservation noted, I want to finish by saying that this film is well worth your attention. I gave it 8/10.
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