Professional sports is known as a true meritocracy, a field in which the cream really does rise to the top, as there's simply too much money at stake to operate in any other fashion. In ... See full summary »
While trying to move 40 kids six New York City blocks all by himself, a stressed man accidentally loses a bouquet of a hundred balloons. In that bouquet, a lone black balloon scurries free ... See full summary »
The lead, Arielle Holmes lived on the streets of NYC prior to this film and after being discovered by the filmmakers Ben & Josh Safdie, she wrote and texted them almost every situation and story she experienced via her heroin addiction, her tragic relationship with Ilya and life on the streets of NYC. When the film began shooting, Arielle Holmes got clean and remained clean throughout the shoot. See more »
In the scene after Ilya hitchhikes, he is seen dropping the paper surrounding his DayQuil bottle on the floor. In the next scene when he drinks from it again, the paper is still surrounding the bottle. See more »
You ain't gettin' rid of me, I ain't going nowhere.
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The foreign, but familiar world of junkies in NYC.
This is an incredible touching, intimate and stark film. You follow a young woman, who seems so fragile lost in a world we all fear filled with drugs, hopelessness and even more frightening: Love. We've all seen the passionate and outlandish arguments on the street between people that call it home, but we disregard it all as fleeting and inhuman. This film puts a human face to the people we turn away from so quickly. I commend the filmmakers for not making heroin sexy. It's a sad disease you contract that's taken three of my close friends. This film helps us better understand drug abuse and the people stuck in that cycle. It couldn't have felt more real.
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