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La La Land (2016)

PG-13 | | Comedy, Drama, Music | 25 December 2016 (USA)
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While navigating their careers in Los Angeles, a pianist and an actress fall in love while attempting to reconcile their aspirations for the future.

Director:

Damien Chazelle

Writer:

Damien Chazelle
Popularity
420 ( 15)
Won 6 Oscars. Another 232 wins & 267 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ryan Gosling ... Sebastian
Emma Stone ... Mia
Amiée Conn ... Famous Actress
Terry Walters ... Linda (Coffee Shop Manager)
Thom Shelton ... Coffee Spiller
Cinda Adams ... Casting Director (First Audition)
Callie Hernandez ... Tracy
Jessica Rothe ... Alexis
Sonoya Mizuno ... Caitlin
Rosemarie DeWitt ... Laura
J.K. Simmons ... Bill
Claudine Claudio ... Karen (Waitress)
Jason Fuchs ... Carlo
D.A. Wallach D.A. Wallach ... '80s Singer
Trevor Lissauer ... Valet
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Storyline

Aspiring actress serves lattes to movie stars in between auditions and jazz musician Sebastian scrapes by playing cocktail-party gigs in dingy bars. But as success mounts, they are faced with decisions that fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart. Written by Eirini

Plot Summary | Plot Synopsis

Taglines:

Here's to the fools who dream.


Motion Picture Rating (MPAA)

Rated PG-13 for some language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Hong Kong

Language:

English

Release Date:

25 December 2016 (USA) See more »

Also Known As:

LaLa Land See more »

Filming Locations:

Los Angeles, California, USA See more »

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Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend USA:

$881,104, 9 December 2016, Limited Release

Gross USA:

$151,101,803

Cumulative Worldwide Gross:

$446,092,357
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | DTS (DTS: X)| Dolby Atmos

Color:

Color

Aspect Ratio:

2.55 : 1
See full technical specs »
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Did You Know?

Trivia

Marc Platt: the film producer is one of the cheering spectators during "Another Day of Sun" when the truck drum and dance performance begins. He is a conspicuously older man on the left side of the frame. See more »

Goofs

When they leave the Lighthouse Seb goes left and Mia goes right. The very next scene shows Seb on the pier. If he had been going to the pier he would have gone right when leaving the Lighthouse. See more »

Quotes

Sebastian: [about jazz] It's conflict and it's compromise, and it's just... it's new every time. It's brand new every night. It's very, very exciting!
See more »

Crazy Credits

There is a title card at the very beginning that says "Presented in CinemaScope." See more »

Connections

References The Killers (1946) See more »

Soundtracks

Silent Night
Written by Franz Xaver Gruber (uncredited) and Joseph Mohr (uncredited)
Arranged by Justin Hurwitz
Performed by Eddie Wakes
See more »

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User Reviews

 
Love letter to Hollywood .. and a Heck of a Film
1 January 2017 | by A_Different_DrummerSee all my reviews

Writer/Director Damien Chazelle, who already had a nice career going for him, explodes into the Bigtime with this delightful, mesmerizing, and completely unexpected ode to Tinseltown.

The opening sequence (satirized on the Golden Globes) really does not do the rest of the film justice. It is as if the cast from the FAME remake grew up, had children of their own, and then those children hijacked the Santa Monica freeway to do a 10 minute flash-mob dance sequence.

From that point on, the film is hypnotic.

We segue to a love story as pure as anything since the great dramas of the 1940s. If the film had been in B&W, you would almost have expected to see Bette Davis in a 3-hankie tear jerker.

Except for the musical interludes, of course, which are pitch perfect and totally wonderful.

Gosling is surprising as a leading man expected to do song and dance, but he delivers the goods.

Stone, who was supposed to be "the next big thing" after Easy A (2010), steals the film and possibly the hearts of the audience as well. The awards should flow like water, and she will deserve every one.

As I said, deep in the DNA this is an ode to Hollywood. The film industry has always had issues with endings -- back in the day they would film several different endings per picture -- and then decide at the last minute which to use. Here Chazelle pays homage to that by giving us an alternate ending, along with the "real" ending, along with a closing sequence designed to remind everyone that nothing in Hollywood is actually real, but everything still can be really fun.

Destined to be a classic. Recommended.


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