Early summer. In a village in northern Turkey, Lale and her four sisters are walking home from school, playing innocently with some boys. The immorality of their play sets off a scandal that has unexpected consequences. The family home is progressively transformed into a prison; instruction in homemaking replaces school and marriages start being arranged. The five sisters who share a common passion for freedom, find ways of getting around the constraints imposed on them.Written by
Festival de Cannes
Weeks before filming was about to begin, a lead producer backed out. Though her major reason was financial, she wrote to other producers and mentioned, among other things, director Deniz Gamze Ergüven, which Ergüven had learned a week before. Three days later, Charles Gillibert saved the day as he came on board to produce the film. See more »
The girls want to go to the Galatasaray-Trabzon match. They say to Yasin that they need to go to Trabzon. However, later when we see them on TV, the score shows Galatasaray's (GS) name first which means the match is in Istanbul not in Trabzon. See more »
Mustang tackles with Turkey's most important problem, the issue of woman in society: her secondary place and the patriarchal chains around her, due to culture, politics, religion and socio-economic development. Therefore, the director's effort should be viewed as most welcome and needed attempt. I think the director manages to show the virtual prison experienced by all sort of women in our society, through the case of those sisters.
However, and despite the director's best intention, movie in general fails to deliver an authentic picture of everyday life and details in the country. Oppression of girls and their youthful desires is correctly depicted as a whole, but done in somewhat unrealistic ways. You get the feeling that the director, the script writer, and even the actors remain quite "foreigners" to the situations they are interested. Some are accusing the director as orientalist (playing to Western gaze) because of these failings. I don't agree, but it would be better if they had worked more on the everyday life and details of the countryside where the film occurs (like better local dialogue, better acquaintance of local customs).
In short, I found Mustang a very important movie, but with its own problems. Technically it does not offer something novel, but it is courageous directly to point the gender issue in a very conservative society.
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