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Green Room (2015)

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A punk rock band is forced to fight for survival after witnessing a murder at a neo-Nazi skinhead bar.

Director:

Jeremy Saulnier

Writer:

Jeremy Saulnier
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1,339 ( 84)
9 wins & 24 nominations. See more awards »

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Cast

Cast overview, first billed only:
Anton Yelchin ... Pat
Joe Cole ... Reece
Alia Shawkat ... Sam
Callum Turner ... Tiger
David Thompson ... Tad (as David W. Thompson)
Mark Webber ... Daniel
Macon Blair ... Gabe
Eric Edelstein ... Big Justin
Michael Draper ... Stagehand
Andy Copeland Andy Copeland ... Stage Manager
Brent Werzner ... Werm
Lj Klink ... Guitarist (as LJ Klink)
Kasey Brown ... Drummer
Taylor Tunes ... Emily
Imogen Poots ... Amber
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Storyline

A band straying into a secluded part of the Pacific Northwest stumbles onto a horrific act of violence. Because they are the only witnesses, they become the targets of a terrifying gang of skinheads who want to make sure all the evidence is eliminated. Written by Aymanati

Plot Summary | Plot Synopsis

Taglines:

Now. Whatever you saw or did. Is no longer my concern. But let's be clear. It won't end well.

Genres:

Horror | Music | Thriller

Motion Picture Rating (MPAA)

Rated R for strong brutal graphic violence, gory images, language and some drug content | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

13 May 2016 (USA) See more »

Also Known As:

Green Room See more »

Filming Locations:

Portland, Oregon, USA See more »

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Box Office

Budget:

$5,000,000 (estimated)

Opening Weekend USA:

$87,984, 17 April 2016, Limited Release

Gross USA:

$3,219,029, 10 July 2016
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Films/filmmakers mentioned as inspirations or references, intentional or otherwise, include The Shining, John Carpenter, I'm Gonna Git You Sucker, Arnold Schwarzenegger, Commando, and Conan the Barbarian. See more »

Goofs

The wounds on Kevin's arms were so deep that he would have bled out before the end of the film. While the duct tape used could has closed minor lacerations, the wounds shown were so deep that they would struck bone thus cutting arteries and veins. See more »

Quotes

Reece: So, in a tournament, I snap his arms or he taps out and we all go get burgers.
See more »

Crazy Credits

One of the song credits has has a misspelling and says 'pulbished' instead of 'published'. See more »

Alternate Versions

French theatrical version was cut to secure a "Not under 12" (!) rating. That version was also released on DVD. The Blu-ray features the uncut version and is rated "Not under 16". See more »

Connections

Referenced in Half in the Bag: 2016 Movie Catch-up (2016) See more »

Soundtracks

Sleaze Patrol
Written by Jesse Annas
Performed by Syphilitic Lust
Published by Jesse Annas (BMI)
Courtesy of Banana Hammock Records
See more »

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User Reviews

 
Thrives on a sense of dread rather than subversive tension like Blue Ruin.
27 October 2015 | by Sergeant_TibbsSee all my reviews

Besides the notable cast, Jeremy Saulnier's Green Room is most likely closer to his 2007 horror comedy Murder Party than his sleeper 2014 thriller Blue Ruin. One of the most pleasant surprises of last year, it was very nice to see that Saulnier managed to gather up a follow-up in a relatively quick time – the gap from festival run to general release date notwithstanding. Green Room continues the vein of comically inept people in violent situations, but it's too crowded and lacks the subversiveness that made Blue Ruin so riveting. More characters means more bloodshed, but it uses that a crutch to get easy thrills rather than spending time getting us invested. Nevertheless, on concept alone it's destined for cult status, but lets hope Saulnier has a better idea up his sleeve next.

Set in a day or two on the frugal tour of a punk band – they appear to be entirely fueled on stealing gas from other cars – including Anton Yelchin, Alia Shawkat, Callum Turner and Joe Coe, they're very young, semi-talented, with a modest following but very little prospects. They're just in it for the thrill of the moment onstage. From a tip of a journalist after a gig is cancelled, they play a show at a neo-nazi venue just to get by. They tease the crowd with anti- white-supremacist lyrics, but they're in no real danger until one of the band members accidentally stumbles upon a murder in the bar's green room. They're held hostage, helped by a friend of the deceased played by Imogen Poots, until it becomes clear that the supremacist's only option – lead by Patrick Stewart – is to leave no witnesses and frame the band for everything. Cue a relentless bloodbath and a grudging cleanup.

While the first gore scene is certainly stomach churning, the film regrettably relies on a palpable sense of dread over taunt tension. Its ultimate payoffs just have shock value rather than anything more gratifying, thereby drowning out its small comic elements. This is a very familiar brand of storytelling, and Saulnier definitely raises it from feeling pedestrian but it doesn't go much further than that. For one, I really wish he had shot it himself. While Blue Ruin has much more patience, Saulnier's own photography in his hands boasted more cinematic shots than the most expensive and lavish blockbusters. It was vivid and atmospheric. Instead of atmosphere, we get noise in Green Room. He trades the camera to Sean Porter, who did an otherwise great job with this year's Kumiko the Treasure Hunter, but it lacks the contrasts and focus to make it as effective despite the abundance of opportunities.

The film makes a wise choice to give every character a hint of humanity, including the supremacists, as this could have otherwise been a very unsympathetic batch of characters to follow. However, muddy motivations make it difficult to latch onto anybody when a few odd decisions are made. Their mutual efforts to outwit aren't too witty. The dialogue needed a lot of work, since it wasn't interested in getting deep under the character's skin, or mostly shredded to give the actors more breathing room. It's still an engaging film at least. Blue Ruin's lead Macon Blair is an understated highlight, while Patrick Stewart clearly channels Heisenberg without forcing it. Anton Yelchin and Alia Shawkat are the least likely punk rockers, but the latter makes it work by being the entrepreneurial boss while Yelchin's vulnerability makes him a natural underdog. Imogen Poots is usually irritating, but is only mildly irritating here. Unfortunately, Green Room runs thin the further it goes along, and severely lacks the potency that made Blue Ruin a treat. It's an average thriller, but an above average horror film.

7/10


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