Inspector Nick Cafmeyer seems to have it all - looks, brains and a successful career. But a dark cloud hangs over his life: since the age of nine, he has been haunted by the unsolved ... See full summary »
Geert Van Rampelberg,
Johan van Assche
Jonas Bechmann, a defense attorney, is a man of the system. Until the day he himself is accused of murder. Taking matters into his own hands, he throws himself into the hunt for a group of ... See full summary »
Nikolaj Lie Kaas,
The honorable citizen Nils ploughs snow in the wild winter mountains of Norway, when his son is mistakenly murdered, Nils takes action, which ignites a war between the vegan gangster "the Count" and the Serbian mafia boss Papa.
Hans Petter Moland
Pål Sverre Hagen
An old note is found in a bottle in Jutland which has traveled very long across the ocean a long time ago. The note is hard to decipher, but when the Danish investigator from Section Q receives it, the odd personalities within the section find a new angle on it and try to unveil yet another old and diabolic case even though the lead is cold.Written by
Britt Engelhard Jadesø
It wouldn't be possible to open the German InterCity trains door while riding by a passenger. Train door opens by remote control from the driver. And even if it would be possible: opening a door while riding would create a big hassle, conductors / train chef would force the driver to stop immediately. See more »
And now... I'll take away your faith.
You're wasting time. I don't believe in God. I don't believe in anything. Take me instead, Johannes, take me instead.
You're rescuing people you've never met. Of course you have faith. I've never met anyone, who's had as much faith as you...
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This third installment is, in many ways, the darkest of the series. It's not "deranged" dark in the manner of the disturbing "The Treatment" (a must see for lovers of the genre - but admittedly a tough film with psychologically destructive activities discussed) but that in addition to involving the murder and abuse of children, and the continuing psychological deterioration of one the its main characters, it also dares to challenge the concept of faith (although like most films that tread in this direction, it fails to spend the added time and argument that can successfully undermine even the most devout adherents, instead - as is also typical - backsliding a bit from it's own dark realistic world view to allow some warmth in). If the first two films challenged what we expect from this genre, and what we expect from genre protagonists, this film also challenges some deeper held beliefs (even if it doesn't quite go far enough) and is all the braver for the effort. Best if watched in order and I am delighted they are filming a fourth in this series!
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