Four women. All in their 30s. Three married, one divorcee. They are able to tell each other anything. Or at least they thought. One day, after losing in divorce court, one of them gives up ... See full summary »
Forsaken by the era of modernization of post-war Japan, Ushimado, a town so beloved by film director Shohei Imamura that he set two of his films there ("Black Rain", "Dr. Akagi"), is ... See full summary »
Separated identical twins ride an Orient Express unaware of each other: a feminist anarchist and a hedonistic courtesan, living under the powder-keg Austro-Hungarian Monarchy. Separate ... See full summary »
A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.
An astute observation based on real cases of bullying. In central Gothenburg, Sweden, a group of boys, aged 12-14, robbed other children on about 40 occasions between 2006 and 2008. The ... See full summary »
After a failed attempt at working on a foreign film set, 26 year-old Ana returns to her hometown of Strasbourg. Over the scorching summer that follows, she decides to replace her grandmother's bathtub with a walk-in shower, eat peas and carrots with ketchup, drive a Porsche, harvest plums, lose her driver's license, sleep with her best friend and get back together with her ex. In short, over this particular summer, Ana tries to get her life together.
In her feature film debut writer/director Rachel Lang portraits young, reckless and aimless Ana, a 26 year old girl who steals a car from the company she works for to go to her grandmother in Strasbourg for a summer of big changes and decisions. "Baden Baden" unfolds its story as a series of many funny and some sad vignettes tied together by Ana's redecorating of her grandmother's bathroom, which stands as a metaphor for rebuilding her own life.
As aimless as Ana is, Lang's work is nothing like it. She tells the story with remarkable assuredness and great skill, something rarely found in the first-time director. Impressive cinematography (Fiona Braillon), great editing (Sophie Vercruysse) and excellent choice of music (Rachel Lang) are all of great significance in creating the film's unique atmosphere, and of course, it doesn't hurt that leading lady Salome Richard, herself a newcomer, shines as Ana, buying our sympathies from the very first scene.
"Baden Baden" mixes comedy, tragedy and simple ordinary life in the best ways possible and, although it probably isn't poised to make an impact on the history of film, it definitely makes an impact on the viewers. It is a film that shouldn't be missed.
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