In 'The Oldenheim 12' we follow the lives of the residents of the extremely traditional Dutch village of Oldenheim. The locals are shaken to the core when they suddenly face a series of mysterious disappearances.
Peter and Eva, a nice young couple expecting their first child, buy a house in a suburban village. Before they get to move into their new home, they lose the baby girl. Eva has a hard time ... See full summary »
Bracha van Doesburgh,
Forensic psychiatrist Fokke Augustinus makes an unexpected career change when he inherits his father's mansion in Groningen where he becomes involved with a criminal organization with a marijuana plantation on his father's land.
Kim van Kooten,
Dutch software consultancy firm's rising man Michael Bellicher's life turns into a living nightmare when he's framed for a murder and later other crimes by the well-connected goons of the ... See full summary »
Former Amsterdam police detective Floris Wolfs has been transferred to the police department of the south-Dutch country town Maastricht. His metropolitan experience nicely complements the ... See full summary »
A story of two families in the countryside of the Netherlands, becoming archenemies after a mysterious accident in the past. A legendary black tulip intensifies their ongoing feud. The families face important choices about life and death, love and hate and harmony and chaos.
The first episode of Zwarte Tulp gives the sense of a well-directed but conventional television series. Cynically speaking, this is 'just' another Dutch drama, in an age of extraordinary serial storytelling. In fact, it has a lot of the same plot elements as Showtime's 'Ray Donovan' written by Ann Biderman, but nowhere near its kind of gravitas.
The acting is generally very strong, which in Dutch television is actually rare. Marcel Musters, Anna Drijver and Raymond Thiry are naturals, but a few actors can't shake the infamous Dutch 'stage tone', which drags down the series. Benja Bruijning is a terrific addition from the 2nd episode, which made it stronger than the first, but not strong enough to get me to watch ep 3.
This series was definitely made by a very skilled and experienced director (Ben Sombogaard) and writers, but it feels like they lacked the vision on how to tell a relatively standard story to today's audiences, who have been spoiled with the likes of David Fincher, Aaron Sorkin, Vince Gilligan, Matthew Weiner and basically every HBO show. If RTL wants to be a contender in the on- demand future of TV, they better start hiring crazier writers and show runners.
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