Angela Burr sends Jonathan, out to avenge Sophie Alekan, to Devon, to present himself as vicious drug dealer Tom Quince, a successful ruse helped by money from American agent Joel Steadman. Six months later he is working on the island of Mallorca where Roper and Jed are living with his little boy Daniel. Whilst the trio are at a restaurant with Roper's friends Lance Corkoran and Lord and Lady Langbourne Albanian thugs break in and kidnap Daniel for ransom but are thwarted by Jonathan. Unaware that the whole exercise has been staged a grateful Roper welcomes Jonathan into his circle, despite Corkoran's suspicions. In London Burr and Steadman congratulate themselves that MI6 are unaware of their plan.Written by
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The episode won an Emmy Award for Outstanding Music Composition for a Limited Series, Movie or Special (Original Dramatic Score). See more »
The List, which is briefly visible in the first scenes with Olivia Colman in her Agency Bureau, contains many Mash-ups of Arms Manufacturers and their actual competitors. For example, the Leopard 2 isn't and wasn't manufactured by the Lima Army Plant, the Boeing F-18 isn't produced by the Jagdflugzeug Eurofighter Gmbh (the Eurofighter itself is, situated further down the list right under the F-18) See more »
The Night Manager is a character driven mini-series adapted from the novel by John Le Carre, that swept away three Golden Globes on the acting category and was nominated for the best series too.
As much as simple the plot is, despite of its genre, it doesn't unnecessarily grows convoluted or even attempts to make impossible possible. And such simplistic reasons is why it connects with the audience instantly and stays true to its tone throughout the course of it.
The adapted screenplay by Farr is smart as it glorifies each little moments with equal dignity keeping the audience enchanted in its self-created tense bubble that doesn't pop but explodes. Addition to that, it not only is edited perfectly but each character's perspective is accounted in perfectly for it to justify the actions.
It is rich on technical aspects like sharp sound effects, stunning live locations, alluring costume design and metaphorical cinematography that seeks viewers' attention through it.
Beir; the director, is ahead of her game and the viewers, for her description of a sequence is not only electrifying but thought-provoking too; she is in your head from the start. The performance objective is the ace in the hole for the series, since the casting pays off more than well, as Hiddleston, Laurie and Colman have genuinely invested their heart into it.
Pragmatic conversations, three-dimensional characters, tense environment and stellar performances are the high points of this mini-series. Beir's world in here is bolder, faster and scarier than it may seem and no matter how many times the makers play their "close call" theme, it never gets old, it never gets dull.
The Night Manager isn't shady or twisted as one's usual spy thriller and is instead beautiful on visual aesthetics and neat on terms of projecting the questionable morality where "the dirty work" is left upto viewers' imagination; a slick move.
The screenplay is gripping even though a bit familiar and the makers being aware of the potential of the star cast uses it wisely and create a sweat drop tension among them and pushes the protagonist to work hard on the performance.
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