Sybille is a successful actress who's given an opportunity to direct a film based on her own screenplay, by Ingrid and Brigitte who have their own distinct ideas on how to improve the ...
See full summary »
Charming thirty-year-old Hanna Belkacem has inherited the gene from her parents: she is unable to say no. And as she is the Director of Human resources of a big firm such infirmity is not ... See full summary »
Aleksandra and Cyrille are the trendiest of Parisian couples. Succesful and up to date, they decide to adopt a 7 year old as the latest added accessory to their chic life. What they don't ... See full summary »
The film tells the story of the blond "singing sailor" Hannes Kröger who works in a St. Pauli club on the Große Freiheit 7, and falls in love with a girl. But she prefers his rival Willem and Hannes returns to the sea.
3.5 couples meet for dinner party. The men have known each other for decades. After dinner they play a game of sharing texts, calls, e-mails etc. by placing all 7 cell phones on the table. Unexpected results as all have secrets.
Stéphane De Groodt
In 1942 in occupied France, a Jewish refugee marries a soldier to escape deportation to Germany. Meanwhile a wealthy art student loses her first husband to a stray Resistance bullet; at the... See full summary »
Sybille is a successful actress who's given an opportunity to direct a film based on her own screenplay, by Ingrid and Brigitte who have their own distinct ideas on how to improve the screenplay and who to cast in the lead roles. Pushing aside her acting career and her family Sybille plunges into her new found opportunity. But when she is forced into endlessly execute the changes demanded by the producers, her dream becomes a nightmare.Written by
"Arrête Ton Cinema" (stop making movies) actually means in French "stop making such a fuss";it makes sense ,because the heroine is an actress who wants to try her hand at directing a film based on the story of her family.
Now female directors make more and more their presence felt on the French scene,but Diane Kurys did begin long before the boom ,in the late seventies ("Diabolo menthe" ) ;she was not that much new for all that ;before her,Jacqueline Audry,Agnès Varda and Nelly Kaplan ,to name but three ,are invariably held up as examples to prove that there are women directors who were doing cleverer things earlier;Kurys -except maybe in "Coup De Foudre"- predated ,among others, the "feel good" side which is currently poisoning the French movies.
Kurys may be a feminist but her women's behavior towards poor Alphonse is downright embarrassing ;it's a despicable "female" macho attitude ,so to speak ;and it is not even funny.
But Kurys is wittier,funnier ,when the heroine's story of her mother and sisters undergoes some change ,under Balasko's watchful eye: it was to take place in an hospital where the girls were nurses ;but the boss decided hospitals are gloomy ,so the hospital is turned into a stud farm :but horses are dangerous and it makes her change her mind: a bar with strip tease and hostesses would attract a larger audience ("but ,says the unfortunate candidate for directing ,my sisters were nurses,and you make them hookers!")
Even that is derivative: in Georges Lautner's "On Aura Tout Vu" , (1976) ,a shady producer (Jean-Pierre Marielle) turned a pure psychological drama in a pornographic flick ;ditto for Pirès's "Attention Les yeux" (1975).
However ,because she lacks the commitment or the focus to develop her ideas (or select well among them) ,Kurys ,unlike Audry ,Varda or Denis ,remains a minor female director; she does not fully exploit the idea of the extravagant screenplay imposed upon the heroine;besides ,we hardly get a glimpse of her family (who is concerned ,after all, for it is their story which is to be filmed !)
Josiane Balasko,wearing a horrible wig ,overplays; Sylvie Testud lacks glamour for this kind of role ,Zabou Breitman ,much more attractive,here cast as her bubble head collaborator , would have been more convincing as an adulated
star.Both should have swapped parts.
To crown it all,there's an appearance by Patrick Juvet ,a cheesy pop singer ,and his appalling disco song "Où sont Les Femmes?" is heard ;not exactly icing on the cake.
0 of 1 people found this review helpful.
Was this review helpful to you?
| Report this