During a snowy Christmas season in Sweden, psychologist and profiler Inger Johanne Vik finds not only herself but also her autistic daughter drawn into the investigation of a number of disturbing deaths.
The realization that Stina has been through a terrible experience really starts to sink in for Inger Johanne. Ingvar goes to Uppsala to investigate the murder of Bishop Elisabeth Lindgren that took ...
Inger Johanne Vik has previously worked as a profiler for the FBI and is now back in Sweden with her two daughters. She has made up her mind to spend more time with her kids and less time working, as...
The brutal murder of a French citizen sees French homicide investigator Kahina Zadi (Leïla Bekhti) go to Kiruna, Sweden. Together with Rutger Burlin (Peter Stormare) she begins an investigation that soon takes on staggering proportions.
Dicte is a dedicated reporter and refuses to give up before she has her story. Her stubbornes gives her problems immediately with the policeman John Wagner, and they often get into clashes with each other.
After having success in Asia, businessman Aksel Borgen is asked back to his hometown in Norway to save an important local firm despite it being 20 years since he was sentenced and later acquitted for murdering his high school sweetheart.
Nicolai Cleve Broch,
Anne Marit Jacobsen
To protect his family, police detective Nikolai covers up a murder case. But when his co-investigator Anniken suspects foul play, he is trapped in a dangerous game on duty, blurring the line between right and wrong.
Ellen Dorrit Petersen,
During a snowy Christmas season in Sweden, psychologist and profiler Inger Johanne Vik finds not only herself but also her autistic daughter drawn into the investigation of a number of disturbing deaths, through which she meets detective Ingvar Nyman of "Rikskrim", a Swedish national police force. Nyman is dispatched to Uppsala to investigate the shocking Christmas Eve murder of bishop Elisabeth Lindgren. In Stockholm, the bodies keep turning up - though the causes of death vary. But before long, Inger Johanne starts noticing a pattern. MODUS is a thrilling story that raises questions about religion, human rights, and the very nature of love itself. It goes beyond conventional crime and peppers the story with red-hot political issues and criticizing intolerance.Written by
Season 1 (just finished) is very engaging. At this time, I've binged several years worth of shows in the same genre, made all over the world. It gets harder and harder to find the good stuff. Modus is not quite as good as Bron (The Bridge) or the US version of The Killing (WHEN will we get to see the original Forbrydelsen in the US?!?) but it is right up there. Good production values, good acting (trivia: Melinda Kinnaman is US The Killing Joel Kinnaman's sister), some great acting (Krister Henriksson IS Wallander in Henning Mankell's series), and a good storyline (re. IMDB, based on a Norwegian novel by Anne Holt).
We know the identity of the killer from the start, so the journey is the why of his origin and the suspense as the killer closes in. The social issues are more suited to a few decades ago, but maybe that's my wishful thinking.
I rolled my eyes a bit that stereotyped ignorant Americans with thick regional accents were brought in to carry the plot. (It's equally annoying when the reverse is true for American TV.) But overall, a very good, entertaining season, definitely close to an 8 (but I'll add a miniscule point to help boost the unfair 6).
At this time (Spring 2019), Modus is available in the US on PBS (through Amazon, in my case). On to Season 2!
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