The story of Dick Cheney, an unassuming bureaucratic Washington insider, who quietly wielded immense power as Vice President to George W. Bush, reshaping the country and the globe in ways that we still feel today.
The cab driver who takes Ruth to Mr. Moritz's house runs a stop sign. See more »
Ruth Bader Ginsburg:
[testifying before the Supreme Court]
We're not asking you to change the country. That's already happened without any court's permission. We're asking you to protect the right of the country to change.
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The closing credits include some "What happened to . . . " of the characters. See more »
Wouldn't garner as much attention as "Notorious RGB"
On the Basis of Sex. Director Mimi Leder ("The Leftovers" / "Shamless" TV - to name only a few) teams with writer Daniel Stiepleman (primarily an Art Director) to present a precursor to this years earlier "Notorious RGB". Here we learn about the early years of college law bound Ruth Bader Ginsburg (Felicity Jones "The Theory of Everything"), her relationship with fellow school mate and new husband Martin (Armie Hammer "Call Me By Your Name"), and just how backwards our society was when it came to women's rights in the 50's (and even today). Re-living this era/stereotype on the big screen is almost as unbelievable as experiencing what is taking place in todays political area. However, truth is a bitter reality, and it never hurts to see what we've come from, how far we've come and how much more we need to accomplish. What hinders this bio-pic are the numerous overly staged sets presented throughout the film. I understand the film is trying to establish a period in time, but most scenes were just too ordered and too crafted that it takes away from the reality the film is presenting. Jones does a fine job as the aspiring RBG, and Hammer is as handsome and believable as ever. However, both are miscast and both are fighting viewers preconceived impression of who the Ginsburg's are. The film is filled with several familiar supporting characters, including Justin Theroux "The Leftovers," Sam Waterson "Law&Order," Kathy Bates, and Stephen Root "Office Space") to name a few. Yet, each seem to be working individually from one another. "On the Basis of Sex" wouldn't garner as much attention as "Notorious RGB," but it does fill in the blanks for those who just can get enough of RGB - who makes a brief appearance in the film.
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