"Night and Day" is centered around the mixed emotions found in traveling. Characters in the film are Sung-nam Kim, an artist selected by the Korean government that escaped from Seoul and ... See full summary »
The married Bongwan leaves home in the dark morning and sets off to work. The memories of the woman who left weigh down on him. That day Bongwan's wife finds a love note, bursts into the office, and mistakes Areum for the woman who left.
Kwon returns to Seoul from the mountains and is given a packet of letters from Mori back from Japan to propose to her. Kwon drops and scatters the undated letters. She reads them and has to make sense of the chronology - and so must we?
Quite by accident, a film director arrives in town a day early. With time to kill before his lecture the next day, he stops by a restored, old palace and meets a fledgling artist. She's never seen any of his films, but knows he's famous. They talk. And together, they go to her workshop to look at her paintings, have Sushi and Soju. More conversation follows, and drinks, and then an awkward get-together with friends where all sorts of secrets are revealed. All the while, they may or may not be falling for each other. Then, quite unexpectedly, we begin again, but now things appear somewhat different.
Since there is a narrative gimmick to the way the story unfolds, Hong Sang-soo shot the first part of the film, edited it, and then showed it to the actors, so the actors were aware of how the situation was structured, even if their characters in the second part are not. Then he began shooting the second part. See more »
Try to discover something every second of every day, from everything around you.
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Title card of the film is seen twice. In the first place, it reads as 'Right Then, Wrong Now'; and in the second (an hour into the film) as 'Right Now, Wrong Then'. See more »
Maybe it's because I haven't seen any of Sang-soo's other films but Right Now, Wrong Then left me cold and unimpressed. I can see the appeal this film has but I personally found the film a tad annoying. It feels more like a South Korean remake of The Disappearance of Eleanor Rigby that admittedly was more interesting than The Disappearance of Eleanor Rigby. I was also surprised to see Lady Hideko here. Kim Min- Hee is one of few things that are great about the film, even if she wasn't as impressive as she was in The Handmaiden. If you like the director you might like Right Now, Wrong Then but I was overall just left cold with the film.
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