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Good Time (2017)

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After a botched bank robbery lands his younger brother in prison, Connie Nikas embarks on a twisted odyssey through the city's underworld in an increasingly desperate-and dangerous-attempt to get his brother Nick out of jail.
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1,182 ( 153)
7 wins & 38 nominations. See more awards »

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Cast

Cast overview, first billed only:
Robert Pattinson ... Connie Nikas
Benny Safdie ... Nick Nikas
Buddy Duress ... Ray
Taliah Webster ... Crystal (as Taliah Lennice Webster)
Jennifer Jason Leigh ... Corey Ellman
Barkhad Abdi ... Dash the Park Security Guard
Necro ... Caliph
Peter Verby Peter Verby ... Peter the Psychiatrist
Saida Mansoor Saida Mansoor ... Agapia Nikas
Gladys Mathon Gladys Mathon ... Annie
Rose Gregorio Rose Gregorio ... Loren Ellman
Eric Paykert ... Eric the Bail Bondsman
Astrid Corrales Astrid Corrales ... Bail Bondsman's Assistant
Rachel Black Rachel Black ... Rachel the Public Defender
Hirakish Ranasaki Hirakish Ranasaki ... Trevor
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Storyline

Motivated by an almost ferocious love for his intellectually disabled brother, Nick, and an explosive mix of desperation and thirst for a better life, the abrasive and fledgeling criminal, Connie, involves his sibling in an ill-conceived bank robbery that swears to be a quick and easy job. Instead, things go utterly wrong, and Nick will wind up in Rikers Island after one unanticipated complication, forcing the desperate but determined Connie to embark on a nightmarish, no-holds-barred quest to bail Nick out. Inevitably, over the course of a long and violent night, Connie will go to great lengths to save Nick from a cruel fate, doomed, however, to do more harm than good. Is it all heading somewhere? Written by Nick Riganas

Plot Summary | Add Synopsis

Taglines:

Are you ready for a Good Time?

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for language throughout, violence, drug use and sexual content | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

25 August 2017 (USA) See more »

Also Known As:

Good Time: Viviendo al límite See more »

Filming Locations:

Queens, New York, USA See more »

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Box Office

Opening Weekend USA:

$125,101, 13 August 2017, Limited Release

Gross USA:

$2,009,484, 12 October 2017
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Benny Safdie about filming unrecognized in the NY subway: "We wanted Rob to disappear in the city. I think the biggest triumph for us was that when he's on the subway and nobody even acknowledges. Rush hour. We shot rush hour, where there's a train packed with people. We directed him by text messages and I'm telling Rob, 'closer, closer, closer.' He's like, 'my dick's going to enter this guy's face.' But the closest we got him being recognized was as he got off the train and I heard from his LAV mic, trailing away, 'Was that Robert Pattinson? No, it couldn't be.' I was like, 'Yeah, right.'" See more »

Goofs

When Connie goes to the hospital to see his brother and is walking down the hall on the 6th floor, individuals are seen in the reflection of the glass. See more »

Quotes

Connie Nikas: You're incredible, do you understand?
Nick Nikas: Yeah.
Connie Nikas: I'm serious! Do you think I could have done that without you standing next to me, being strong?
[pause]
Connie Nikas: Are you feeling this? Are you feeling as good as I'm feeling right now?
Nick Nikas: Yeah. I'm cold.
Connie Nikas: You're cold?
Nick Nikas: Yeah.
Connie Nikas: Let's get to Virginia, man!
See more »

Crazy Credits

Excepting the production companies and title, the opening credits begin 17 minutes into the movie. See more »

Connections

Referenced in The 75th Golden Globe Awards (2018) See more »

Soundtracks

Romance Apocalypse
Written and performed by Daniel Lopatin (as Oneohtrix Point Never)
Courtesy of Warp Records
See more »

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User Reviews

 
Bleak, Chaotic and Endlessly Fascinating
25 August 2017 | by bkrauser-81-311064See all my reviews

Good Time is a small movie about small people doing small things. But never let it be said that it's dreary or dull. This movie somehow took the edgy anxiety of a waking nightmare, bottled it up, and put it on the screen so you'd leave the theater in a cold sweat. If the DVD/Blu-ray release of Good Time doesn't have a critic blurb saying "this movie gave me indigestion," I'll be sorely disappointed.

The setup is simple: a wanted man (Pattinson) tries to raise the money for bail to get his mentally handicapped brother (Safdie) out of prison. The two had held up a bank earlier that day and throughout the night, Connie resorts to dubious and dangerous lengths to avoid punishment and consequence.

In an interview with NPR co-director and co-star Benny Safdie said "We wanted to deliver a piece of pulp that actually felt dangerous." With that in mind cinematographer Sean Price Williams shot on 35mm and much of the movie is loaded with claustrophobic close-ups and delirious hand-held sweeps. The 35mm film bleeds into the New York nocturne. The punishing fluorescents and neon glints that makeup the movie's milieu taunts our protagonist as he spins his wheels round and round. It's a movie that recaptures the intimacy and intensity of a 4am sneak-about.

Even in calmer moments, the film pulses in its nervy desperation. The various innocents the come across Connie's path are more-or-less looking for the same thing, a way out of the mess. They approach their situations with variant levels of legality but never with Pattinson's level of sleaze or sense of entitlement. Despite this, Connie proves remarkably resourceful; one minute his back is up against a corner, the next he's clawed his way out and slumping towards the next hurdle of his odyssey. One can't help but think that if Connie put his mind towards anything other than crime, he'd be on the cover of a business magazine.

Instead he's in an unending fever dream whereby the urban sprawl is the water to his drowning rat. At its height, Good Time has the sparseness and clarity of a John Steinbeck novel and at its most pedestrian it still has the chaotic energy of The 25th Hour (2002).


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