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Mary Poppins Returns (2018)

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Decades after her original visit, the magical nanny returns to help the Banks siblings and Michael's children through a difficult time in their lives.

Director:

Rob Marshall

Writers:

P.L. Travers (based upon the "Mary Poppins" stories by) (as PL Travers), David Magee (screen story by) | 3 more credits »
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41 ( 192)

'Mary Poppins' Cast Give Advice, Get Sequelcalifragilistic

We caught up with Emily Blunt and her Mary Poppins Returns castmates for some life advice and discussion about which films they'd like to get a second helping of.

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Nominated for 4 Oscars. Another 18 wins & 80 nominations. See more awards »

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Cast

Cast overview, first billed only:
Emily Blunt ... Mary Poppins
Lin-Manuel Miranda ... Jack
Ben Whishaw ... Michael Banks
Emily Mortimer ... Jane Banks
Pixie Davies ... Annabel
Nathanael Saleh ... John
Joel Dawson ... Georgie
Julie Walters ... Ellen
Meryl Streep ... Cousin Topsy
Colin Firth ... Wilkins / Wolf
Jeremy Swift ... Gooding / Badger
Kobna Holdbrook-Smith ... Frye / Weasel
Dick Van Dyke ... Mr. Dawes, Jr.
Angela Lansbury ... Balloon Lady
David Warner ... Admiral Boom
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Storyline

In Depression-era London, a now-grown Jane and Michael Banks, along with Michael's three children, are visited by the enigmatic Mary Poppins following a personal loss. Through her unique magical skills, and with the aid of her friend Jack, she helps the family rediscover the joy and wonder missing in their lives. Written by Disney

Plot Summary | Plot Synopsis

Taglines:

This Christmas, when you lose your way, just remember the magic always returns. See more »


Motion Picture Rating (MPAA)

Rated PG for some mild thematic elements and brief action | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official Site | See more »

Country:

USA | UK

Language:

English

Release Date:

19 December 2018 (USA) See more »

Also Known As:

Mary Poppins 2 See more »

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Box Office

Budget:

$130,000,000 (estimated)

Opening Weekend USA:

$23,523,121, 23 December 2018, Wide Release

Gross USA:

$171,958,438, 11 April 2019

Cumulative Worldwide Gross:

$349,219,485, 11 April 2019
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

When Michael Banks is in the attic, there is a box of toy blocks with letters on them. This is both a clear nod to the first Mary Poppins (1964) movie in which they feature, and the blocks also subtly spell out 'Poppins'. See more »

Goofs

While rummaging through the attic, Michael finds the snow globe of St. Paul's Cathedral. In the original Mary Poppins, Mary takes this with her when she leaves. See more »

Quotes

Balloon Lady: [from trailer; to Michael] You've forgotten what it's like... to be a child.
See more »

Crazy Credits

In a reprisal of the credits gag from the original, Dick Van Dyke is at first credited as "Nackvid Keyd", only for the credits to unscramble themselves again. See more »

Connections

Referenced in WatchMojo: Top 10 Trailers of September 2018 (2018) See more »

Soundtracks

Trip a Little Light Fantastic
Music by Marc Shaiman
Lyrics by Scott Wittman and Marc Shaiman
Performed by Lin-Manuel Miranda with Emily Blunt, Tarik Frimpong, Pixie Davies, Joel Dawson, Nathanael Saleh, and Leeries
See more »

Frequently Asked Questions

See more »

User Reviews

 
Practically Perfect
19 December 2018 | by ferguson-6See all my reviews

Greetings again from the darkness. The 1964 classic Disney film MARY POPPINS is much beloved and has been shared across generations for more than 50 years. It won 5 Oscars on 13 nominations, and shifted Julie Andrews from a Broadway star to an international movie star, as she won the Oscar for Best Actress while becoming the ideal nanny for most every boy and girl. Rarely do reboots, remakes, or sequels to the classics make much of a dent with the movie-going public, but it's likely director Rob Marshall's (CHICAGO, INTO THE WOODS) film will be an exception. Marshall balances nostalgia with contemporary, and benefits from a marvelous successor to the Mary Poppins role ... Emily Blunt.

The film opens in low-key fashion as we follow Jack (Lin-Manuel Miranda) through town as he performs his lamplighting duties singing the melancholic "Underneath the Lovely London Sky". It's actually a bit of a dry opening that may have some impatient kids wondering why their parents dragged them to see this. Soon after, we are at the familiar 17 Cherry Tree Lane - the Banks' home - easily recognizable from the original film. We meet grown up siblings Michael (Ben Whishaw) and Jane (Emily Mortimer). Jane is a labor organizer following in her mom's footsteps, and Michael is a struggling artist and widower raising 3 kids. He has taken a teller job at the Fidelity Fiduciary Bank where his dad (now deceased) worked, but mostly he's an emotional wreck. In fact, the only way to save the family home from foreclosure is with proof of his father's bank shares ... something the evil new Bank President, William Weatherall Wilkins (Colin Firth), conspires to prevent.

It's at this point that the kids' popcorn should just about be gone, so it's fortunate that our beloved nanny makes her timely appearance ... literally floating (with practically perfect posture) into the park where Georgie (an adorable Joel Dawson) and lamplighter Jack are flying a very recognizable kite. Jack, having been an apprentice under Bert the Chimney Sweep, is quite familiar with the significance of Mary Poppins' arrival. Back on Cherry Tree Lane, Michael and Jane are shocked to see their childhood nanny back in the house, and Michael's two spunky twins Anabel (Pixie Davies) and John (Nathanael Saleh) aren't sure what to make of this mysterious visitor.

Director Marshall wisely utilizes the template from the original film, so many of the subsequent sequences have a familiar and cozy feel to them. Mary Poppins' "Off we go" kicks off a fantastical bathtub adventure and leads to the first of many smile-inducing, visually spectacular moments. A broken porcelain bowl guides us to a beautiful hand-drawn animation (from Walt Disney Studios) sequence with horse-drawn carriage, penguins, and more. Meryl Streep performs "Turning Turtle" in her topsy-turvy studio, and there is an extended (perhaps a bit too long) dance sequence featuring Jack and the other lamplighters singing "Trip a Little Light Fantastic".

Julie Walters appears as the Banks' housekeeper and David Warner is Admiral Boom, the Banks' canon-firing neighbor; however it's two cameos that will really hit home with the older viewers: Angela Landsbury (not in the original) is the balloon lady singing "Nowhere to Go but Up", and the remarkable Dick Van Dyke (a huge part of the original) plays an elderly Mr. Dawes Jr from the bank - and even performs a dance routine atop a desk. All of the actors perform admirably, yet this is clearly Emily Blunt's movie. She shines as the practically perfect nanny, whether debating with her umbrella, digging in her mystical baggage, filling heads with 'stuff and nonsense', teaching life lessons to those in need, or singing solo and with others. It's a wonderful performance and she becomes Mary Poppins for a new generation.

Director Marshall co-wrote the story and screenplay with David Magee and John DeLuca, and they have created a worthy sequel (a quite high standard) from P.L. Travers' original books that is delightful and a joy to watch. The group of original songs by Marc Shaiman and Scott Wittman serve the story fine, but the one downside to the film is that none of the new songs are as catchy or memorable as those of the Sherman Brothers (Richard and Robert) from 54 years ago. They won Oscars for Best Score and Song ("Chim Chim Che-ree"), and left us singing others such as "Spoon Full of Sugar", "Let's Go Fly a Kite" and of course, "Supercalifragilistic". These new songs including "Can You Imagine That", "The Place Where Lost Things Go", "A Cover is not the Book", "Nowhere to Go but Up" all contribute to the story and to the viewer's enjoyment, but none leave us singing or humming as we depart the theatre.

This is a film where those behind-the-scenes are crucial to its success. Oscar winning cinematographer Dion Beebe (MEMOIRS OF A GEISHA) and Editor Wyatt Smith both are at the top of their game, and Costume Designer Sandy Powell delivers stunners, not just for the singing nanny, but for all characters. The core of the story remains rediscovering the magic in life, and finding joy in each other - and this sequel also provides the adventures to match the original. It's simultaneously familiar and fresh, which is key to a successful follow up to a beloved classic. Director Marshall has signed on to Disney's live action THE LITTLE MERMAID, but it's with MARY POPPINS RETURNS where he has delivered a film that is practically perfect in every way.


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