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In 1919 Quedlinburg, Germany, a young woman named Anna is still mourning the death of her fiance, Frantz Hoffmeister, in the Great War while living with his equally devastated parents. One day, a mysterious Frenchman, Adrien Rivoire, comes to town both to pay his respects to Frantz's grave and to contact that soldier's parents. Although it is difficult for both sides with the bitterness of Germany's defeat, Adrian explains that he knew Frantz and gradually he wins Anna and the Hoffmeisters' hearts as he tries to connect with them. Unfortunately, Adrien and Anna discover the truth of his motives and things seem shattered for all. However, when Adrien leaves, Anna has her own struggles with the truth and her feelings until she sets out to find Adrien in France. With that, Anna has her own journey to make in more than one sense, even as they both realize that neither have easy answers to their complex personal conflicts with each other and the dead man linking them.Written by
Kenneth Chisholm (email@example.com)
First, because it is an Ozon. so, your expectations are well defined.
second - it seems be familiar. your memories about "Broken Lullaby" are the basic clue. but, "Frantz" is different. special. surprising. yes, provocative. for motifs out of words. it is a love story. and more. it is a war film. and more. it is the story of a meeting and discover and family and clash between different cultures. and, off course, more. because all has the status of source for new steps on a way without rules, limits and forms of delicacy remaining unique. a film like one of yours memories. seductive. moving. discret . convincing. like an old song . or a flavour. so, an experience. fragil, strange, useful. about force and vulnerability. preserving not only the realistic images of a lost period but, in refreshing manner, its spirit. so, "Frantz". it is enough its title for define each aspect of this, in charming way, film.
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