Twelve years after the tragic death of their little girl, a doll-maker and his wife welcome a nun and several girls from a shuttered orphanage into their home, where they become the target of the doll-maker's possessed creation, Annabelle.
A prequel set before the haunting of the Lambert family that reveals how gifted psychic Elise Rainier reluctantly agrees to use her ability to contact the dead in order to help a teenage girl who has been targeted by a dangerous supernatural entity.
A priest with a haunted past and a novice on the threshold of her final vows are sent by the Vatican to investigate the death of a young nun in Romania and confront a malevolent force in the form of a demonic nun.
The manufacturer of dolls Samuel Mullins is a happy family man with his wife Esther and their daughter Bee, who dies after being hit by a car. Twelve years later, Samuel and his wife, Esther, welcomes a nun and six orphaned girls to his home. He tells that only a locked room (that belonged to Bee) and Esther's room would be off limits for the girls. The crippled girl, Janice, manages to sneak in Bee's room during the night and finds a doll locked inside a closet. After she plays in the room, she is haunted by an evil force. What has Janice unleashed in Bee's room?Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Fred Tatasciore, the voice behind the demonic voice in Annabelle: Creation also voices a popular character in a game called Overwatch, named Soldier 76. See more »
There is a scene in which Sister Charlotte appears to be administering the sacrament of confession to one of her assigned charges.
Within the Catholic Church, the sacrament of confession can only be administered by a priest, so Sister Charlotte would never have had any authority to hear one's confession and administer penance. See more »
Annabelle: Creation is a thoroughly well-executed and thought-out medium budget horror in a creepy house with a creepy doll. It is also a borderline comedy at times, cleverly realising that the doll is not only scary but also rather ridiculous. Moving from scares to laughter and back was done with outstanding precision and taste.
The effect where something first happens with thundering sound and action, followed by a deafening silence in anticipation of potential further threats, is somewhat overused, but excellent actors and overall professional production let this kind of small issues pass without much distraction.
As a prequel to the previous movie which was also a prequel, the story is eventually tied to the previous Annabelle vehicle, which felt not only unnecessary but quite clunky and rushed. Stay put for a brief after-credit scene for more Conjuringverse things to come.
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