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The Wailing (2016)

Gok-seong (original title)
Not Rated | | Horror, Mystery, Thriller | 3 June 2016 (USA)
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1:51 | Trailer

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Soon after a stranger arrives in a little village, a mysterious sickness starts spreading. A policeman, drawn into the incident, is forced to solve the mystery in order to save his daughter.

Director:

Hong-jin Na

Writers:

Hong-jin Na (screenplay by), Hong-jin Na
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Popularity
2,514 ( 63)
29 wins & 51 nominations. See more awards »

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Cast

Cast overview, first billed only:
Do-won Kwak ... Jong-goo
Jung-min Hwang ... Il-gwang
Jun Kunimura ... Japanese Man
Woo-hee Chun ... The Mysterious Woman
Hwan-hee Kim ... Hyo-jin
Jin Heo Jin Heo ... Mother-in-Law
So-yeon Jang ... Wife
Do-yoon Kim ... Yang Yi-sam
Kang-gook Son ... Oh Sung-bok
Seong-yeon Park ... Kwon Myung-joo
Chang-gyu Kil ... Park Choon-bae
Bae-soo Jeon ... Deok-gi
Mi-nam Jeong ... Heung-gook
Gwi-hwa Choi ... Byeong-gyoo
Seung-chul Baek ... Friend
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Storyline

In the small village Goksung in South Korea, police officer Jong-Goo investigates bizarre murders caused by a mysterious disease. His partner relays gossip that a Japanese stranger, who lives in a secluded house in the mountains, would be an evil spirit responsible for the illness. Jong-Goo decides to visit the stranger along with his partner and a young priest who speaks Japanese. They find an altar with a goat head, pictures on the walls of the infected people that died, and an attacking guard dog that prevents their departure until the stranger arrives. Jong-Goo finds one shoe of his beloved daughter, Hyo-jin, in the house of the stranger, and soon she becomes sick. His mother-in-law summons the shaman Il-gwang to save her granddaughter while a mysterious woman tells Jong-Goo that the stranger is responsible. Who might be the demon that is bringing sickness to Goksung? Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

From acclaimed director Na Hong-jin


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official Site | See more »

Country:

South Korea | USA

Language:

Korean | Japanese

Release Date:

3 June 2016 (USA) See more »

Also Known As:

The Wailing See more »

Filming Locations:

South Korea

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Box Office

Budget:

$6,420,000 (estimated)

Opening Weekend:

$13,109,618 (South Korea), 10 June 2016, Wide Release

Gross USA:

$786,633, 31 December 2016

Cumulative Worldwide Gross:

$52,452,986, 31 December 2016
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Stereo | DTS | Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Jun Kunimura's camera at the end of the film is a Minolta Hi-Matic S, which was released in 1978. See more »

Quotes

Grandmother: It's started. You better brace yourself.
See more »

Connections

Featured in Renegade Cut: The Wailing (2017) See more »

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User Reviews

 
One hell of a ride
1 October 2016 | by kuronoxSee all my reviews

This movie was a hell of a ride. About 40 minutes into the movie, I stopped to look at how much time was left and was actually RELIEVED to see that there was still so much left. That's how engaging and interesting the story was for me.

Before watching the movie I read one review on here that said it was a "smorgasbord" of genres (it was a positive review), but it doesn't really feel like it. I mean, yes, I can see it, but the storytelling is so fluid and well written that the multiple genre aspects didn't feel out of place at all. It works. It works so well that I almost feel like it's redundant to point out that there are "so many genres."

I found the second half of this movie quite similar to The Witch. Not necessarily in terms of the storyline, but the pace, the severity, the terror. Both movies are quite psychological. But The Wailing delivers somewhat of a more complex storyline.

Cinematography was breathtaking. Jun Kunimura was ridiculous (in an oh-so-good way). All the actors were on point. I'm not going to point out or mention "Asian horror" here (although, technically I just did I guess, lol). I just don't think that it's necessary to pigeonhole this movie into anything other than what it is; a great horror.


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