303 (2018) - News Poster



What’s Good: 2018 Media City Film Festival

  • MUBI
Atomic Garden“What’s good,” as you probably know, is urban slang. It means “what’s up?” Like a lot of slang, however, it can have very different meanings. One must be aware of the subtleties of context. But in the context of a festival report, it could have an entirely different meaning. It could be a way of asking for recommendations. “Hey, you saw those films? Well, what’s good?” In that respect, the films I discuss below might be taken (erroneously) as my picks for the absolute best films screened at the 2018 Media City Film Festival in Windsor, Ontario. This would imply that I saw all the films screened (I didn’t), or that any film not mentioned below somehow didn’t merit a mention.This is simply not true. For one thing, several of the best films screened at Media City this year are films I have
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Laura Huertas Millàn’s Ethnographic Fiction and Its Influences

  • MUBI
Sol NegroWhy do we categorize documentary films as non-fiction? If fiction is a means to truthfulness and documentary filmmaking attempts to represent the realities of lived experience, then can’t the languages of emotion and introspection operate within the genre?These are the questions that preoccupy the students of the Harvard Sensory Ethnography Lab. At this year’s Open City Documentary Festival will be the U.K. premieres of films produced by Colombian filmmaker Laura Huertas Millàn during her practice-based PhD there. Sol Negro (2016), La Libertad (2017) and jeny303 (2018) are part of her ethnographic fiction series. In dialogue with visual anthropology, they consider how narrative creation can liberate the single, fixed colonial viewpoint.In the tradition of Jean Rouch, ethnofiction filmmaking uses less conventional techniques to provide an insight into the lives of an indigenous population. Rouch compared this form of filmmaking to Surrealism, defining it as an art form
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