Directed by
David Caffrey |
Writing Credits
Steven Knight | ... | (creator) & |
Steven Knight | ... | (written by) |
Cast (in credits order)
Produced by
Julie Brinkman | ... | associate producer |
Tommy Bulfin | ... | executive producer |
Joe Donaldson | ... | producer |
Jamie Glazebrook | ... | executive producer |
Will Gould | ... | executive producer |
Brian Kaczynski | ... | co-producer |
Caryn Mandabach | ... | executive producer |
Cillian Murphy | ... | executive producer |
Frith Tiplady | ... | executive producer |
Music by
Anthony Green | ||
Martin Slattery |
Cinematography by
Cathal Watters |
Film Editing by
Dan Roberts |
Casting By
Shaheen Baig | ||
Layla Merrick-Wolf |
Production Design by
Stephen Daly |
Art Direction by
Julie Ann Horan | ... | supervising art director |
Set Decoration by
John Neligan |
Costume Design by
Alison McCosh |
Makeup Department
Oonagh Bagley | ... | hair stylist / makeup artist |
Stacey Louise Holman | ... | makeup artist |
Laura Lawrence | ... | dailies makeup artist (as Laura Howley) |
Chris Lyons | ... | special effects teeth |
Julie Nightingale | ... | makeup supervisor |
Laura Schiavo | ... | hair designer (as Loz Schiavo) / makeup designer (as Loz Schiavo) |
Joanne Tudda | ... | junior hair and make-up crowd |
Production Management
Imogen Gay | ... | production manager |
Amy Mobley | ... | production executive |
Second Unit Director or Assistant Director
Mike Gallivan | ... | second assistant director |
Mark Hedges | ... | first assistant director |
Shelley Lankovits | ... | crowd assistant director |
Mark Roberts | ... | third assistant director |
Art Department
Martin Adams | ... | jewellery designer |
Niamh Cleary | ... | stand-by art director |
Callum Ferguson | ... | dressing props trainee |
E.J. Grainger | ... | Production Buyer |
Chris Heap | ... | stand-by props |
Jess Imrie | ... | assistant buyer |
Joanna Keen | ... | assistant buyer |
Dean McLeod | ... | assistant art director |
Stephen Mildwater | ... | graphic design assistant |
Charlotte Murphy | ... | art department assistant |
Alan Shaw | ... | property master |
Mark Simpson | ... | stand-by props |
Geraint L. Williams | ... | designer |
Ella Wolfnoth | ... | lead graphic artist (as Ella Woolner) |
Sound Department
Grant Bridgeman | ... | sound recordist |
Rebecca Charlton | ... | sound trainee: dailies |
Philip Clements | ... | foley mixer |
Nicola Dale | ... | sound trainee: dailies |
Sarah Elias | ... | sound effects editor |
Gibran Farrah | ... | adr recordist |
Garret Farrell | ... | adr mixer |
Joe Furness | ... | foley editor |
Peter Gates | ... | dialogue editor |
Matt Gill | ... | second boom operator |
Jim Goddard | ... | supervising sound fx editor |
Forbes Noonan | ... | re-recording mixer |
Catherine Thomas | ... | foley artist / foley editor |
Anna Wright | ... | foley artist |
Special Effects by
Arran Glasser | ... | special effects supervisor |
Danny Hargreaves | ... | special effects supervisor: Real SFX |
Jade Poole | ... | special effects coordinator: Real SFX |
Jack Taylor | ... | trainee technician |
Visual Effects by
Lucy Ainsworth-Taylor | ... | executive visual effects producer |
Angela Barson | ... | executive visual effects supervisor |
Andrew Fineberg | ... | visual effects editorial assistant |
Richard Frazer | ... | visual effects supervisor: BlueBolt |
Panos Theodoropoulos | ... | visual effects producer: BlueBolt |
Stunts
Dean Forster | ... | stunt coordinator |
Gordon Seed | ... | stunt coordinator |
Ramon Álvarez | ... | stunt performer |
Camera and Electrical Department
Steed Barrett | ... | electrician |
Edward Botham | ... | camera trainee |
Phil Brookes | ... | Lighting Gaffer |
Daniel Edwards | ... | focus puller |
Daniel Gadd | ... | focus puller "a" camera |
Doug Garside | ... | digital imaging technician |
Samuel Grant | ... | second assistant camera |
Chris Hutchinson | ... | camera operator/steadicam |
Eoin Keating | ... | second unit camera: dailies |
Mitchell Payne | ... | camera trainee |
Daniel Robinson | ... | trainee grip |
Alfie Samba | ... | Assistant Still Photographer |
Rob Shaw | ... | "b" camera clapper loader |
Matt Squire | ... | still photographer |
Robert Viglasky | ... | still photographer |
Casting Department
Gabby King | ... | casting assistant |
Costume and Wardrobe Department
Grace Brooks | ... | costume supervisor |
Rosie Lorenz | ... | costume stand-by |
Robert Macfarlane | ... | assistant costume designer |
Jane O'Donnell | ... | costumer |
Rosie Stoward | ... | daily costume assistant |
Jess Willcock-Stow | ... | crowd standby |
Editorial Department
Mike Austin | ... | post production & technical operations |
Victoria Blackwood | ... | edit trainee |
Simone Grattarola | ... | colorist |
Location Management
Lorena Bramall | ... | location assistant |
Michael Campbell | ... | additional location manager |
Miglet Crichton | ... | location manager |
Danny Khoudary | ... | unit manager |
Matthew Plant | ... | location assistant |
Script and Continuity Department
Bryony Arnold | ... | script executive |
Transportation Department
Howard Cawthorne | ... | transportation captain |
Michael Geary | ... | action vehicle supplier: Motorhouse |
Other crew
William Conacher | ... | dialect coach |
Emma Conroy | ... | floor runner |
Richard Dobbs | ... | producer: EPK / publicist |
Andy Fryer | ... | unit medic |
Albion Gee | ... | assistant production secretary |
Kelly Johns | ... | production coordinator |
Alison McGuigan | ... | base runner |
Jim Ranyard | ... | Health & Safety Advisor |
Jo Sear | ... | publicist |
Matthew Shelley | ... | Armourer |
Gail Stezaker | ... | production accountant |
Susan Waddell | ... | Commercial Director: CMP |
Ryan Williams | ... | production runner: Assistant to C. Murphy |