12 August 1945, 11 AM. Two mysterious strangers dressed in black appear at the railway station of a Hungarian village. Within a few hours, everything changes.
On this IMDbrief, we break down the worst gifts ever given in our favorite holiday movies. For some great gift ideas, check out IMDb's Holiday Gift Guide, curated with the entertainment lover in mind!
A year ago Ernella, Albert and their 10 year old daughter, Laura, left the country for a better life. They haven't managed to succeed in Scotland, so they came back. In the middle of the ... See full summary »
Muggy heat, small-town bleakness, unspoken social problems, hierarchy fights. This is Tuzko town, somewhere in Hungary, nowadays. Here comes Misi who inherits his grandfather's house and ... See full summary »
Director:
Márk Kostyál
Stars:
András Mészáros,
Mária Dobra,
László Mátray
A murder mystery set in Budapest 1936, just as Hungary was preparing to allign itself with Hitler. A young beautiful girl is found dead and noone wants to investigate - except Gordon a ... See full summary »
Director:
Éva Gárdos
Stars:
Krisztián Kolovratnik,
Réka Tenki,
János Kulka
Olga is a successful, workaholic lawyer from Vienna. She discovers a dark family secret that makes her question her whole life. She begins to search for answers, but her mother, Maria has ... See full summary »
Director:
Márta Mészáros
Stars:
Mari Töröcsik,
Ildikó Tóth,
Franciska Töröcsik
Wilson, a black man in his late fifties, has been living as a refugee in Hungary for years. He works as a security guard in Budapest and his main desire is to acquire Hungarian citizenship,... See full summary »
Gas Station in the middle of nowhere: a young man arrives to meet his father he hasn't seen for 30 years. On the same day a van with four prostitutes on the way to Switzerland breaks down ... See full summary »
In the last moments of World War II, a young German soldier fighting for survival finds a Nazi captain's uniform. Impersonating an officer, the man quickly takes on the monstrous identity of the perpetrators he is trying to escape from.
Director:
Robert Schwentke
Stars:
Max Hubacher,
Alexander Fehling,
Sebastian Rudolph
German construction workers building a dam near a Bulgarian village interact with the locals, and soon the troubles arise both with the locals and among themselves.
When slaughterhouse workers Endre and Mária discover they share the same dreams - where they meet in a forest as deer and fall in love - they decide to make their dreams come true but it's difficult in real life.
Director:
Ildikó Enyedi
Stars:
Géza Morcsányi,
Alexandra Borbély,
Zoltán Schneider
12 August 1945, 11 AM. Two mysterious strangers, dressed in black, Jews, appear at the railway station of a Hungarian village. In the shadow of Russian occupation, the people of the village are preparing for the wedding of the son of the town clerk. The bride's former fiance returns from captivity. Within a few hours, everything changes. Secrets, sins, reckoning, love, betrayal, confrontation.Written by
Bálint Rádóczy
Previous reviews have failed to take account of this film's "Sitz im Leben"-- the current situation in Hungary, where the Fidesz government under Orbán Viktor has played footsie with the broad swath of irredentist voters who continue to harbor anti-Semitic leanings. Hungary has not yet come to terms with its role in the murder of its Jewish citizens. For example, the recently erected monument to Victims of Nazi Aggression portrays Hungary as a Victim State, not as a willing cooperator in the execution of roughly 5% of the national population. But it was Hungarian officials that carried out the orders, not Germans. Hungarian officialdom and non-officialdom was more than willing to participate in the Holocaust, but they are loath to acknowledge any corporate responsibility.
A personal but illustrative anecdote. About seven years ago I was teaching at a gimnázium in a town not far from Budaptest and went to see the movie "Avatar" at a local theater over a weekend. The next Monday, as part of English conversation class, I told my students what I had done, that I had gone to thus and such theater to see the movie. The immediate response to my statement came from a student whom I had come to know as a pretty bright kid who was eager to learn. He said, "Oh yes, Jews own that theater."
Where the f*** did that come from? Over the past few years I have realized that it comes from the same deep-rooted inability of Hungarians to understand that their loss of territory after WWI and their continuing economic problems come not from their "enemies" (Jews above all, but Gypsies too) but from themselves and the same culture of self-deception and corruption that is depicted in this film.
Which film, by the way, is elegantly framed and carefully composed, is presented with almost stately precision, and which I highly, highly recommend.
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Previous reviews have failed to take account of this film's "Sitz im Leben"-- the current situation in Hungary, where the Fidesz government under Orbán Viktor has played footsie with the broad swath of irredentist voters who continue to harbor anti-Semitic leanings. Hungary has not yet come to terms with its role in the murder of its Jewish citizens. For example, the recently erected monument to Victims of Nazi Aggression portrays Hungary as a Victim State, not as a willing cooperator in the execution of roughly 5% of the national population. But it was Hungarian officials that carried out the orders, not Germans. Hungarian officialdom and non-officialdom was more than willing to participate in the Holocaust, but they are loath to acknowledge any corporate responsibility.
A personal but illustrative anecdote. About seven years ago I was teaching at a gimnázium in a town not far from Budaptest and went to see the movie "Avatar" at a local theater over a weekend. The next Monday, as part of English conversation class, I told my students what I had done, that I had gone to thus and such theater to see the movie. The immediate response to my statement came from a student whom I had come to know as a pretty bright kid who was eager to learn. He said, "Oh yes, Jews own that theater."
Where the f*** did that come from? Over the past few years I have realized that it comes from the same deep-rooted inability of Hungarians to understand that their loss of territory after WWI and their continuing economic problems come not from their "enemies" (Jews above all, but Gypsies too) but from themselves and the same culture of self-deception and corruption that is depicted in this film.
Which film, by the way, is elegantly framed and carefully composed, is presented with almost stately precision, and which I highly, highly recommend.