Janne's new boss's brother-in-law slept with her against her will. She conceals the incident and continues her way of life as usual. But her silence has consequences, not only for the love that she feels for her friend Piet.
Inspired by real events, five friends struggle to cope with their frustrations and are compelled to violence as Weltstadt, a once-popular tourist spot, falls onto hard times following the reunification of Germany.
During the marijuana bonanza, a violent decade that saw the origins of drug trafficking in Colombia, Rapayet and his indigenous family get involved in a war to control the business that ends up destroying their lives and their culture.
Becky, Maik and Tommi, a group of right-wing radical youths, aim to establish a terrorist cell in Germany. Seeking national attention, they commit a range of escalating crimes whilst facing disorientation and their appetite for murder.
A psychiatrist and his blind girlfriend, bound by sinister interest. A school doctor, who lost more than work with her dismissal. Her brother, who will do everything for her. A desperate ... See full summary »
Sarah Victoria Frick,
"Styx" depicts the transformation of a strong woman torn from her contented world during a sailing trip. When she becomes the only person to come to the aid of a group of refugees shipwrecked on the high seas, she is shown the limits of her importance and of the empathy of her cultural milieu. She is left slipping impotently from one nightmare to the next, and by the end she is forced to recognize that there is no way to counter the cruelties of real life. Only chance can save her.Written by
Slow, taciturn film about individual responsibility
Easy to watch, hard to digest. "Styx" is a good and soft-voiced political film, but maybe too long for its simple message about individual responsibility.
Or maybe there's just too much message and too little drama in this film. It has a great analogy of Europe as naval crisis between an immigrant boat, a private boat and coastal guard. The grand political scenario of immigrant politics is dramatized in scale of two boats. If you get a mayday message on sea then it is the kind of situation where you must help anyone in need. But the lonely sailor (Susanne Wolff) of the private boat must decide how long will she use her own small boat and believe in her own devotion (she's a doctor) to help +300 immigrants in a sinking boat miles away from African west coast.
The basis for this contemporary drama is much better than the dramatic outcome. The story is cut short, just the way it might have gone, to be as blunt as the migration politics in Europe. There's not much left for atmosphere or character building. The setup for central scene is much more interesting than the proper scene with conflicts between different types of floating powers (literally).
If you like to get more metaphors or thoughts to consider about European politics at Mediterranean, you may want to see Fire at Sea (2016) by Gianfranco Rosi.
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