Stranger Things (2016– )
8.7/10
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13 user 3 critic

Chapter Four: Will the Wise 

An ailing Will opens up to Joyce -- with disturbing results. While Hopper digs for the truth, Eleven unearths a surprising discovery.

Director:

Shawn Levy

Writers:

Matt Duffer (created by) (as The Duffer Brothers), Ross Duffer (created by) (as The Duffer Brothers) | 4 more credits »
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Cast

Episode cast overview, first billed only:
Winona Ryder ... Joyce Byers
David Harbour ... Jim Hopper
Finn Wolfhard ... Mike Wheeler
Millie Bobby Brown ... Eleven
Gaten Matarazzo ... Dustin Henderson
Caleb McLaughlin ... Lucas Sinclair
Noah Schnapp ... Will Byers
Sadie Sink ... Max Mayfield
Natalia Dyer ... Nancy Wheeler
Charlie Heaton ... Jonathan Byers
Joe Keery ... Steve Harrington
Dacre Montgomery ... Billy Hargrove
Cara Buono ... Karen Wheeler
Sean Astin ... Bob Newby (credit only)
Paul Reiser ... Sam Owens
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Storyline

An ailing Will opens up to Joyce -- with disturbing results. While Hopper digs for the truth, Eleven unearths a surprising discovery.

Plot Summary | Add Synopsis


Certificate:

TV-14 | See all certifications »

Parents Guide:

View content advisory »
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Details

Language:

English

Release Date:

27 October 2017 (USA) See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.00 : 1
See full technical specs »
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Did You Know?

Trivia

Sean Astin (Bob) does not appear in this episode. This is the first time one of the main cast is credited but does not appear. See more »

Goofs

During the dumpster scene, Max moves away from Lucas, claiming that he stinks. However, the movement of her hair in the breeze reveals that she actually moves downwind of him. See more »

Connections

Features Cheers (1982) See more »

Soundtracks

Scarface (Push It to the Limit)
Written by Giorgio Moroder and Pete Bellotte
Performed by Paul Engemann
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User Reviews

these now-memories..
16 July 2019 | by Arth_JoshiSee all my reviews

Stranger Things

The Duffer Brothers are gushing out over 70s fantasy films in this splashy trend setting love letter to the now-teenagers and the ones back then. Ergo, the affection received by the fans comes flooding in, not for the razzle dazzle that this world thrives for but the accuracy it dares for. Before going in, on such a fiction world, it is often wisely and correctly, advised to dive in completely without being self-aware of the sketchiness involved in the- literal- topsy turvy world. Yet, consistently the Duffer Brothers are defying the evergreen rule in order to push the series for more than a cultural phenomenon.

They wish for the series to hold against time and as a result, this banal obsession leads them to some of the best aspects of the storytelling. Yes, it every now and then fumbles to conjure up, not courage, but reason to walk out of the door slamming it hard on its audience, but these minor flaws are easily overcome by the frivolity in these characters. The outdo-ers are not the ground breakers but ground covering humanoid elements.

For instance, let's just walk through their bulletproof armor Eleven played magnanimously by Millie Bobby Brown. She is the right and wrong of the series, the world revolves around her, everything is in contrast to her, no matter how hard the makers try to make it about someone else, it always pins down to her. And hence, she isn't taken for granted in here, she is tested, time after time, her ballet dance at the end of the act is not the win, but her fear of the stage and the audience around it, choreographs it elegantly. On supporting cast, David Harbour, as a father figure, draws you naturally, to what I consider has some of the best equation and scenes with Bobby Brown, than she has with Stranger Things.

Chapter Four: The Wise

The investigation is engaging. They try and do so, plenty of times by now, either some puzzle solved or some element found or analyzed. This old style productive method doesn't disappoint but the interrogation that is intended to be marvelously revealing or even schemy turns out to be the blase blah of the narration.


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