Afraid to face upcoming parenthood and the ultimate deadline for his long-awaited novel, a once-promising writer develops a crush on a defiant muse, the 16-year-old girl next door, and ...
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As Cotopaxi spews ash, issuing an eerie penumbra over Quito, a young woman confronts dormant familial conflicts. Desperate for a place to store her things as volcanic disaster looms, ... See full summary »
Juan Sebastian Jacome
The world of Salvador, a young and naive petty thief is changed by the arrival of his cousin Angel, an ex-convict in search of easy money, and with a hideout. Salvador gets wrapped up in ... See full summary »
Paco Chavez's life is careless and charming. It's a life of illicit drugs and a forbidden love affair he carries with Lucia, his former high school sweetheart, now married to another man. ... See full summary »
Everything begins with a stray bullet... And a wealthy young man trying to evict 250 families who are squatting on the land he inherited from his father. The leader of the squatter ... See full summary »
Daniel Adum Gilbert,
"I do not care if we go down in history as barbarians." These words, spoken in the Council of Ministers of the summer of 1941, started the ethnic cleansing on the Eastern Front. The film attempts to comment on this statement.
Esperanza and Tristeza both have to get to Cuenca. However, by an unlucky turn of events, the bus they are on gets delayed due to a worker strike. Taking their journey into their own hands,... See full summary »
Afraid to face upcoming parenthood and the ultimate deadline for his long-awaited novel, a once-promising writer develops a crush on a defiant muse, the 16-year-old girl next door, and escapes into a second adolescence, alienating his partner and those who care about him before finally coming to terms with adulthood.Written by
La tragicomedia en escena si bien logra jugar con los moralismos locales y generacionales de una pareja de clase media alta de las ciudades de Quito y Guayaquil, carece de fuerza al no lograr la transformación de los personajes precisamente desde una caida en la metáfora del título (agujero negro) y no solo desde el transitar en la fantasia light de la Urbe aniñada Quiteña.
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