6.6/10
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Disobedience (2017)

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A woman returns to her Orthodox Jewish community that shunned her for her attraction to a female childhood friend. Once back, their passions reignite as they explore the boundaries of faith and sexuality.

Director:

Sebastián Lelio
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Popularity
1,040 ( 134)
4 wins & 21 nominations. See more awards »

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Cast

Cast overview, first billed only:
Anton Lesser ... Rav Krushka
Alessandro Nivola ... Dovid Kuperman
Allan Corduner ... Moshe Hartog
Nicholas Woodeson ... Rabbi Goldfarb
David Fleeshman David Fleeshman ... Yosef Kirschbaum
Steve Furst ... Dr Gideon Rigler
Rachel Weisz ... Ronit Krushka
Trevor Allan Davies ... Tattooed Man
Sophia Brown ... Photographic Studio Assistant
Anthony Dowding Anthony Dowding ... Man in Bar
Bernice Stegers ... Fruma Hartog
Clara Francis Clara Francis ... Hinda
Rachel McAdams ... Esti Kuperman
Lia Cohen Lia Cohen ... Rina
Cara Horgan ... Miss Scheinberg
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Storyline

From a screenplay by Sebastián Lelio and Rebecca Lenkiewicz, the film follows a woman as she returns to her Orthodox Jewish community that shunned her decades earlier for an attraction to a female childhood friend. Once back, their passions reignite as they explore the boundaries of faith and sexuality. Based on Naomi Alderman's book, the film stars Rachel Weisz, Rachel McAdams and Alessandro Nivola. Written by Bleecker Street

Plot Summary | Plot Synopsis

Taglines:

Love is an act of defiance.

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for some strong sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official Site

Country:

Ireland | UK | USA

Language:

English | Hebrew

Release Date:

27 April 2018 (USA) See more »

Also Known As:

Disobedience See more »

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Box Office

Budget:

$6,000,000 (estimated)

Opening Weekend USA:

$237,393, 29 April 2018, Limited Release

Gross USA:

$3,480,702

Cumulative Worldwide Gross:

$5,917,917, 15 July 2018
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Filming locations in London included Cricklewood and Hendon. See more »

Goofs

When Ronit and Esti board the subway to inner London and exit out, the Steadicam operator can be seen reflected off the bus as it drives by. See more »

Quotes

[first lines]
Rav Krushka: In the beginning, Hashem made three types of creatures, the angels, the beasts, and the human beings. The angels, He made from His pure word. The angels have no will to do evil. They cannot deviate for one moment from His purpose. The beasts have only their instincts to guide them. They, too, follow the commands of their maker. The Torah states that Hashem spent almost six whole days of creation fashioning these creatures. Then, just before sunset, He took a small quantity of earth...
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Soundtracks

The Last Beat
Written by Matthew Herbert
Performed by Matthew Herbert (as Herbert)
Published by Soundslike Music
All rights administered by Bucks Music Group Limited
Courtesy of Accidental Records
(c) 2001 Accidental
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User Reviews

 
Interesting premise, bad finish and poor editing.
20 July 2018 | by earthboliSee all my reviews

I wanted to like this movie. It's rare that A-list actresses sign on to play lovers, and rare to see romance between women on the big screen. But a lot of things didn't quite fit, from the editing, to the storyline, to the music, to the pacing.

The score: whimsical at times, even in dramatic/tense scenes, which felt completely inappropriate. The score seemed like it belonged in a bizarre children's movie, but yet the singing scenes were very dark and sad/somber-sounding. This movie clearly took itself very seriously, so why the carnival music in parts? The cast: good acting overall, no complaints. The story: decent premise. A Rabbi's death brings together old flames in a strictly orthodox Jewish London community, and tensions rise, as well as feelings. But the end...no thanks. Editing/pacing: abrupt at times and feeling disjointed, yet also slow and lingering too long in scenes that dragged. So many directors think that if you are slow and have long, tedious scenes, you will be considered a genius for being artsy and understated. That just isn't how it works. Character development: eh. This movie really would have benefitted from more than just a few words about the past, but scenes depicting more of the history and story between the women. I want to see more depth with these women, but it does end up feeling one-dimensional due to the script and/or editing.

In sum, even today, in 2018, 9 out of 10 movies about women who love each other end with suicide/murder, a woman going back to a man, a woman cheating on her partner with a man (or woman), or some other equally unforgivable outcome, and I say unforgivable because movie producers love to portray gay/bi women as tortured and unable to experience a healthy same-sex relationship. Guess which one this movie falls under, because I won't spoil it...

My advice, skip this and re-watch Carol. I felt like this one wasted my time.


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