Ron Stallworth, an African American police officer from Colorado Springs, CO, successfully manages to infiltrate the local Ku Klux Klan branch with the help of a Jewish surrogate who eventually becomes its leader. Based on actual events.
John David Washington,
Set in the near-future, technology controls nearly all aspects of life. But when Grey, a self-identified technophobe, has his world turned upside down, his only hope for revenge is an experimental computer chip implant called Stem.
The drug war on the U.S.-Mexico border has escalated as the cartels have begun trafficking terrorists across the US border. To fight the war, federal agent Matt Graver re-teams with the mercurial Alejandro.
Benicio Del Toro,
In this crime drama, four bright and well-off college students in Kentucky plot to steal some rare books from their university's Special Collections Library in a misguided quest for personal glory. Based on the story, the film includes interviews with the foursome who attempted the bizarre heist. Starring Barry Keoghan, Evan Peters, Blake Jenner, Jared Abrahamson and Ann Dowd.
The movie was filmed in the Davidson College Library during the week of Spring Break of 2017. Through the chaos of equipment, actors, extras, and all the technical people it takes to make a movie, the library staff continued to perform their jobs. Some of the staff were asked to submit their head shots to be cast in the film which resulted in one person being asked to be in the film. However, it was inconvenient for staff to take the time away from their jobs to be in the film, so, therefore, no staff person was in the film. But, if you look closely in the shots filmed in the library, there are offices with their blinds down. Staff are behind those blinds working diligently making sure the library still functioned. See more »
How can I tell you if I'm in or I'm out without telling me the first thing about what I might be in or out of.
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"Ocean's Eleven" meets "The Social Network" & "Ferris Bueller's Day Off"
"American Animals" follows a pretty simple story. One about growing-up, friends, young adulthood...
...oh, and robbing a library of books worth millions of dollars...That little detail, too.
I can't say I've ever seen any heist film like this one, though.
What makes this concept so captivating and so unique compared to other legendary heist films like 'Ocean's Eleven', 'The Italian Job' and others is that this film revolves around both a certain sense of nihilism and adolescence. In a way, I would call this film the unholy love-child of "Ocean's Eleven", "The Social Network" and "Ferris Bueller's Day Off".
The thing that sets this film apart from the others in its genre is just how REAL everything becomes by the time we watch these college kids, all aimless and without a clue, try to chase the American Dream through the most devious way possible. Spearheaded by spectacular leading performances by Barry Keoghan and Evan Peters, this film is not about a heist. Rather, this film is about nihilism, and growing-up in just about the scariest way possible.
The film itself grows-up as we go, as we open with a sense of style and editing that is snappy and fast-paced. The style of young adult; alive and frantic. Everything is bright lights and pop songs, all while our protagonists see themselves as 'good guys' as they plot a heroic heist of a library and its priceless books. The theater I was in was happily rolling-along, audience laughing heartily with the silly antics.
But suddenly, just as we as audiences want to see this heist succeed, and we suddenly see it unfold...the consequences hit. The laughing becomes weaker and weaker until we as audiences reach a similar realization as the characters do; this is real life.
While the film's style of pseudo-documentary mixed with fiction was not exactly the most smoothly-executed (At times it felt jerky and almost gimmicky), it eventually comes back into play as the teaching tool of the entire film. The film's points it chooses to make, both light and dark, are powerful through this very medium. Its pacing and choices of editing, specifically a change by the second half that evolves the entire film into something completely different, were what flipped the proverbial coin for me as an audience member.
The evolving state of this film, the proverbial 'growing-up' it symbolized to me as an audience member, was what truly made it impactful and transcended this film from a "Good" one to a "Great" one.
This film is not about a heist. Rather, it is a film about growing-up THROUGH a heist. Indeed, as many billed it to be, "American Animals" is like no heist film before it. Thankfully, that's for all the right reasons.
I seriously recommend seeing this indie darling of a film. While rough around the edges and lacking an entirely-bulletproof execution, I think this is one of the most interesting films I've seen thus far this year.
It, quite literally, 'grows up' as you watch it.
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