In the midst of Stalinist tyranny, six-year-old Leelo's mother is sent to a prison camp. Haunted by her mother's last words telling her to be a good kid, Leelo vows to be on her best ... See full summary »
Helena Maria Reisner,
In 1912, the first Estonian filmmaker, Johannes Pääsuke, was commissioned to capture life and people in a far corner of Estonian countryside: Setomaa. He returned with more than 1300 photos... See full summary »
On a nice summer day a funny little car rolls over a peaceful farm yard of Muhu island. The family that withdraws from the vehicle is quite odd-looking: an overbearing madam, a henpecked ... See full summary »
A medieval love story with lots of adventures. The times are troubled - there's a revolt of peasants going on. To secure its safety a monastery chases for a relics of a holy Brigitte. A ... See full summary »
This movie is about the Estonian War of Independence (1918-1920), specifically the students fighting on the nationalist side, but also shown the conflict between two ideologies (Estonian nationalism and communism).
Characters familiar from Kevade are now in their 20s. In the beginning of the 20th century, Joosep Toots has returned from Russia, where he learned agriculture. He wants to start reforming ... See full summary »
A group of sleepless nerds should be taken into sanitarium for hard-therapy. They are taken to a lonely island but no sanitarium is in sight. Suddenly turns out that the nurses have ... See full summary »
One sleepy Saturday morning a 30-year-old construction worker Erik gets some earth shattering news: his ex-girlfriend Moonika who he hasn't even seen for the past six months is about to go into labor. She however is not ready for motherhood and if Erik doesn't want the kid either, the little girl will be put up for adoption. Take it or leave it!
A rather tardy work where the performances excelling the script
Võta või jäta is supposed to be - and is - a household drama dealing with several pain spots in the society (single parents, parenthood/parenting, impacts of working abroad, generation gaps, etc.), but, evidently for the sake of reality, the film lacks scenes and twists enhancing catchiness. So the progression is rather arid, many good actors have static characters to play, with often too much focus on Erik´s development... True, Reimo Sagor performs well and convincingly, but sometimes it is not enough for creation a film you would like to see again. All in all, another more-than-average Estonian film - problably not speaking to many other nations. It was selected as the Estonian entry for the Best Foreign Language Film at the 91st Academy Awards, but it was not nominated.
My opinion: 8 points for performances, 6 for script.
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