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Hitler's Hollywood (2017)

Hitlers Hollywood (original title)
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1:28 | Trailer
Rüdiger Suchsland examines German cinema from 1933, when the Nazis came into power, until 1945 when the Third Reich collapsed.

Director:

Rüdiger Suchsland
1 win & 5 nominations. See more awards »

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Cast

Credited cast:
Hans Albers ... Various Roles (archive footage)
Udo Kier ... Narrator (voice)
Heinz Rühmann ... Various Roles (archive footage)
Zarah Leander ... Various Roles (archive footage)
Adolf Hitler ... Himself (archive footage)
Ilse Werner ... Various Roles (archive footage)
Joseph Goebbels ... Himself (archive footage)
Marianne Hoppe ... Various Roles (archive footage)
Gustaf Gründgens ... Various Roles (archive footage)
Hermann Göring ... Himself (archive footage)
Leni Riefenstahl ... Herself (archive footage)
Wilhelm Furtwängler Wilhelm Furtwängler ... Himself (archive footage)
Rest of cast listed alphabetically:
Alfred Abel ... Himself (archive footage)
Lída Baarová ... Herself (archive footage)
Willy Fritsch ... Himself (archive footage)
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Storyline

In Nazi Germany, film was considered a major medium for the Nazi Party propaganda machine. While pure propaganda material was not all that was produced by the domestic film industry, there still was a party line to be followed, especially with Propaganda Minister Joseph Goebbels having complete control over the content. This film explores a collection of the most significant artists involved in the medium with clips of the major films produced. Furthermore, the major themes and artistic boundaries of Nazi German films are presented from the regime's beginning in 1933 to its total defeat in 1945. Written by Kenneth Chisholm (kchishol@rogers.com)

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Details

Official Sites:

Farbfilm Verleih [Germany]

Country:

Germany

Language:

German

Release Date:

11 April 2018 (USA) See more »

Also Known As:

Hitler's Hollywood See more »

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Box Office

Opening Weekend USA:

$8,634, 15 April 2018

Gross USA:

$43,766

Cumulative Worldwide Gross:

$43,766
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Company Credits

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Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

16:9 HD
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Did You Know?

Connections

Features Triumph of the Will (1935) See more »

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User Reviews

 
When Germany challenged Hollywood
20 April 2018 | by jakob13See all my reviews

In 105 minutes Ruediger Suchsland's 'Hitler's Hollywood' provides a startling retrospective of German cinema under the skillfull hand of Hitler's propaganda mage who was Josef Goebbels. As Reichminister for Propaganda and National Enlightenemnt, he had total control of cinema, radio, press and theatre. Evil genius that he was, he had a deep intuitive understanding of mass psychology, and in 'Hitler's Hollywood' we see a large swathe of Nazi controlled films from 1933-to 1945, when the first Oscar winner Emil Jannings was in the midst of staring in a film. With great intelligence, we also see how the Nazis through talented film makers out did Hollywood in romantic comedies, musicales and extolling the 'virtues' of the 'master race' in physical beauty. And yet, the dark eyed Swedish singer Zarah Leander appeared in musicales with military themes, or the German penchant for exotic Slavs or Gypsies. And yet, her career in post war Europe, there she was with a number one hit 'Wunderbar', sung in English. Her sultry, deep throat voice still even today has not lost its mystery and allure. [See, YouTune]. Hans Detlef Sierck's 'La Habanera' made her a star and a household name. Sierck remade himself after the war, and much lionised in Hollywood as Douglas Sirk. There he was the masterly eye behind luscious romantic films like 'Magnificent Obsession' and 'All Heaven Allows'. He honed his technique at the Ufa Studios and theatre, and the influence of Goebbels ideas found its way in Hollywood, perhaps. Popular singers like Hans Albers who sang of and longed for the South Seas, transitioned to a postwar career without a hiccup. Suchsland does make a seamless cloth of Nazi cinema from the 1930s to the change of fortunes of defeat in Russia and the collapse of the Third Reich. Films became more realistic, less romantic and cotton candy. One thing remained a red thread: anti-Semitism. 'Jud Suess' by Van Harlan, with his wife, Krista Soederbaum, is an infamous anti-Semitic film that pulls no punches as an odious film, yet one extolling Nazi pathological hatred of Jews. And, he, too, survived the war, and continued to make film until his death in West Germany. Goebbels understood 'soft power', and German films flooded European markets as they did in America's ethnic picture houses that spoke to 'benign' anti-Semitism that flourished in Europe and the US. Even Ingrid Bergman as an ingenue appeared in a German film before she left for Hollywood. Suchsland script alludes to her guilt, which maght have been, and he repurchasing her guilt by playing Isle in 'Casablanca'? A reviewer cannot do justice to 'Hitler's Hollywood' but strongly suggest you go see it, and visually and emotionally and intellectually absorb the dazzling cross section of 'Hitler's Hollywood'. And this documentary is a cautionary tale of techniques that used today. 'Caveat emptor!'


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