Gabriel and the Mountain (2017) - News Poster


Cannes: Directors’ Fortnight Unveils Lineup

  • Variety
Cannes: Directors’ Fortnight Unveils Lineup
Robert Eggers’ anticipated “The Lighthouse” with Robert Pattinson and Willem Dafoe, Luca Guadagnino’s medium-length film “The Staggering Girl” and Japanese helmer Takashi Miike’s “First Love” are set to unspool at Cannes’ Directors’ Fortnight under the new leadership of Paolo Moretti.

Described by Moretti as a “hypnotic two-hander” powered by Pattinson and Dafoe, “The Lighthouse” is a fantasy horror film set in a mysterious island in New England at the end of the 19th century. Eggers previously directed “The Witch.”

As with Cannes’ official selection, Directors’ Fortnight will showcase a wide range of genre movies. Besides “The Lighthouse,” the other anticipated genre films set for Directors’ Fortnight include Bertrand Bonello’s “Zombi Child,” about the Haitian Clairvius Narcisse, victim of a voodoo; Miike’s “First Love”; Babak Anvari’s “Wounds,” with Armie Hammer and Dakota Johnson; and Tunisian helmer Ala Eddine Slim’s “Tlamess.”

Moretti, who took over from
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Visit Films Sells Key Territories With Maria Alché Debut ‘A Family Submerged’ (Exclusive)

  • Variety
Madrid — New York’s Visit Films announced at Buenos Aires’ Ventana Sur market, that the company has secured distribution in Mexico and Spain on Maria Alché’s directorial debut, “A Family Submerged.”

In Mexico, the film was snagged by top indie production and distribution company Interior 13 Cine, distributors for Cristina Gallego and Ciro Guerra’s Colombian Oscar-hopeful “Birds of Passage.” Spanish distribution went to Surtsey Films, experts in theatrical placing of festival hits like Panos Cosmatos’ Sitges best director winner “Mandy” and Árpád Bogdán’s “Genesis,” a winner at Spain’s Valladolid Film Festival.

The film is held up as a case of a successful independent Argentine film which has not only charmed critics and won festival prizes but snagged a prestige sales agent and now broken out to commercial sales in key, major territories for a Spanish-language movie.

“A Family Submerged” turns on Marcella, played by Argentine film and theater actress Mercedes Morán,
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New to Streaming: ‘Madeline’s Madeline,’ ‘The Night Comes for Us,’ ‘Galveston,’ and More

With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’re highlighting the noteworthy titles that have recently hit platforms. Check out this week’s selections below and an archive of past round-ups here.

An Evening with Beverly Luff Linn (Jim Hosking)

Writer-director Jim Hosking seems determined to entertain–and divide. From a segment in The ABCs of Death 2 to his feature debut The Greasy Strangler, it was made crystal clear that Hosking has a fascination for deviants and dark comedy. With An Evening With Beverly Luff Linn, he lands on a sort of strange hybrid between David Lynch and Napoleon Dynamite. Incorporating the uncanny valley of the former and the indie ineptitude of the latter, the result is an off-kilter, at times hilarious film that nevertheless loses some of its impact as it stumbles through its own delirium. – Mike M.
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'Domingo': Film Review | Venice 2018

'Domingo': Film Review | Venice 2018
Life, politics and family gatherings can all be pretty shambolic so it is no surprise that the Brazilian drama Domingo, which explores all three, is somewhat messy, too. This new film from Gabriel and the Mountain director Fellipe Barbosa, who here co-directs with Mountain’s assistant director, Clara Linhart, might have a sprawling cast and an abundance of small subplots, but the entire enterprise is more or less held together by the fact it almost all takes place over the course of a single day in and around a single location: the dilapidated mansion of a large, land-owning family. This Venice ...
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Fellipe Barbosa and Clara Linhart on Venice Days Player ‘Domingo’

  • Variety
Fellipe Barbosa and Clara Linhart on Venice Days Player ‘Domingo’
Brazil’s Fellipe Barbosa and Clara Linhart are following up the success of their Cannes Critics’ Week player “Gabriel and the Mountain,” with “Domingo,” an intimate look at a bourgeoisie Brazilian family over New Year’s weekend during the 2003 inauguration of former president Luiz Inácio Lula da Silva. The film will compete in the main competition at this year’s Venice Days, then segues to the Toronto Festival’s Contemporary World Cinema showcase.

“Domingo” follows two sides of an old money family, together for a weekend in a poorly-maintained mansion where the family matriarch spent much of her childhood. What starts as a typical barbeque finds its drama amongst the raging hormones of teenage boys, a rainstorm which drives the family into the confines of the home, and too much champagne, mixed with a hidden box of cocaine.

Just as the house from a bygone era shows signs of deterioration,
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Strong Female Presence Marks Venice Days Lineup; Opener Is ‘Graves Without a Name’

  • Variety
Strong Female Presence Marks Venice Days Lineup; Opener Is ‘Graves Without a Name’
The Venice Film Festival’s independently run Venice Days section, modeled on Cannes Directors’ Fortnight, has unveiled its lineup of 11 competition entries, all world premieres, marked by a particularly strong presence of female directors.

The section will open with “Graves Without a Name” (pictured), a new documentary on the horrors of the Khmer Rouge era by revered Cambodian-born director Rithy Panh, producer of Angelina Jolie’s “First They Killed My Father.” The lineup mixes promising entries from both well-known auteurs and newcomers. The out-of competition closer is suicide-themed comedy “Emma Peeters” from young Belgian director Nicole Palo.

Venice Days artistic director Giorgio Gosetti noted that six out of 12 titles in the official selection are directed by women and said that “female characters play a crucial role in all the films.” But he also said his choice was unconstrained by gender considerations. “We sought the best that we could find and
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Co-Prod Treaties, Film Fund On the Agenda As 3rd Annual Brics Film Festival Kicks Off

  • Variety
Durban — With world leaders arriving in Johannesburg this week, with an aim toward boosting trade ties and stimulating the economies of the five member states at the annual Brics summit, delegations from Brazil, Russia, India, China and South Africa gathered in Durban to highlight the countries’ cultural output at the 3rd annual Brics Film Festival.

Running parallel to the Durban Film Festival, the Brics festival opened Sunday night with a splashy ceremony featuring live performances and short films from each of the member states. At the Durban FilmMart on Monday, a delegation of filmmakers and cultural representatives from each nation gathered to look at how the festival – still in its infant stages – can set the groundwork for greater collaboration in the years ahead.

“We do have a lot more in common with Brics countries than we have with our brothers and sisters in other parts of the world,” said South African filmmaker Xoliswa Sithole,
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Latin American Film — Six Months in 2018 from Sundance to Today

The Karlovy Vary Film Festival jury awarded the Special Jury Prize to

Sueño Florianópolis about four teenage kids who set out from Buenos Aires one sweltering day in a Renault to vacation in the Brazilian resort of Florianópolis. a tale of first love, past lovers, fateful encounters, and fleeting joys by Argentinian director Any Katz, a humorous and melancholic movie, for which also Mercedes Morán received the Best Actress Award.

Once again, Chile was present at Karlovy Vary, this time with two films participating in the festival. The film Cielo, directed by Alison McAlpine, was in the official selection of the Documentary Competition. The film was produced by the Canadian production company Second Sight Pictures, in association with the Documentary Channel, Argus Films, and in co-production with the Chilean company Errante Producciones through Paola Castillo.

The acclaimed co-production Los versos del olvido (Oblivion Verses) was screened out of competition, in the Another View section.
See full article at SydneysBuzz »

‘Year Of Spectacular Men’, ‘Eating Animals’ Among Weekend Bows – Specialty Box Office Preview

‘Year Of Spectacular Men’,  ‘Eating Animals’ Among Weekend Bows – Specialty Box Office Preview
Natalie Portman takes narration duties in Christopher Dillon Quinn’s documentary Eating Animals, based on a memoir by Jonathan Safran Foer. The IFC Films release, which examines dietary choices, opens with two exclusive engagements in New York before heading to L.A. next week. Lea Thompson makes her feature film directorial bow with The Year of Spectacular Men, written by her daughter Madelyn Deutch and starring Zoey Deutch. The trio appeared at the New York premiere of the film in New York for the Cinema Society Wednesday night ahead of its bow in a dozen cities this weekend via MarVista Entertainment. Rock band Deer Tick is at the center of Abramorama doc Straight Into a Storm by William Miller. And Mike Tyson stars in Cleopatra Entertainment’s China Salesman by Chinese filmmaker Tan Bing.

Gotti starring starring John Travolta as mob boss John Gotti is among other limited releases opening this weekend.
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Strand Releasing Scoops U.S. Rights to Christophe Honoré’s Cannes Player ‘Sorry Angel’ (Exclusive)

  • Variety
Strand Releasing has acquired U.S. rights to Christophe Honore’s “Sorry Angel” which world premiered in competition at Cannes Film Festival.

Sold by MK2, “Sorry Angel” takes place in Paris, in 1993, and follows Jacques, a renown writer and single father in his 30’s who is desperately trying to maintain a sense of normalcy against the backdrop of the AIDS crisis and unexpectedly falls in love with an enthusiastic aspiring writer in his early 20s.

The film is headlined by a strong French cast, including Pierre Deladonchamps (“Stranger by the Lake”), Vincent Lacoste (“Lolo”) and Denis Podalydes (“Mr & Mme Adelman”).

Speaking to Variety at Cannes, Honoré said he wanted, through the film, to “explore (his) memories of being in my 20s in the ’90s.” “AIDS was part of our lives (…) and the fear of death was looming over love and sex relationships,” said Honoré.

“We’re delighted that this very
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Can Incredibles 2 Open Huge at the Box Office After 14 Years?

Warner Bros.' Ocean's 8 managed to slightly exceed expectations last weekend, ending Solo: A Star Wars Story's two-week reign atop the box office with a solid $41.6 million debut, already earning back more than half its $70 million budget. Most box office analysts aren't expecting its stay at the top to be a long one, with Disney Pixar's long-awaited sequel Incredibles 2 easily expected to take the top spot, with other newcomers Tag, Superfly, opening on Wednesday, and Race 3 also opening wide. We're predicting Incredibles 2 will win with an impressive $136.8 million this weekend.

That $138.6 million figure is the same total we projected last month in our summer movie box office predictions piece, and a few weeks later, the early projections from other analysts were quite similar, with many predicting a $140 million opening weekend for Incredibles 2. That tally represents nearly double the $70.4 million opening weekend that The Incredibles put
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Transylvania Film Review: ‘Liquid Truth’

  • Variety
Transylvania Film Review: ‘Liquid Truth’
An attractive male swimming instructor is accused of inappropriately kissing a six-year-old boy in Carolina Jabor’s perceptive, handsomely made “Liquid Truth.” Comparisons are inevitable with Thomas Vinterberg’s “The Hunt,” but the topic was hardly exhausted by that one film, and Jabor’s Brazilian take is less focused on the insidiously oppressive social atmosphere, though it hardly shies away from demonizing unproven accusations.

Taking inspiration from a play by Catalan author Josep Maria Miró and Ventura Pons’ 2015 film “Virus of Fear,” screenwriter Lucas Paraizo (“Gabriel and the Mountain”) brings heightened awareness to the pernicious conflation of homosexuality and pedophilia, and while some tightening is in order, “Liquid Truth” delivers a satisfying cinematic experience that resulted in several awards at the Rio de Janeiro Film Festival, including the audience prize.

Something’s bothering little Alex (Luiz Felipe Mello), but like most six-year-olds, he’s not very verbal. More likely than not,
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Official Us Trailer for Brazilian Travel Film 'Gabriel and the Mountain'

"Beauty and truth are to be found everywhere." Strand Releasing has debuted an official Us trailer for the upcoming release of a Brazilian film titled Gabriel and the Mountain, which makes me think of that film The Englishman Who Went Up a Hill But Came Down a Mountain, even though the two have nothing in common. Gabriel and the Mountain is a docu-drama hybrid film, mixing fact and fiction, that features real people, places and things. The story follows João Pedro Zappa as Gabriel Buchmann, who decided to travel the world for one year before going to university. After ten months on the road, he arrived in Kenya determined to discover the African continent. Until he reached the top of Mount Mulanje, Malawi, his last destination. Cristina, played by Caroline Abras, is his girlfriend who follows him along. This looks like a deeply spiritual and thoughtful film about how much
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Colcoa French Film Festival Opens with Eric Barbier’s ‘Promise at Dawn’

  • Variety
Eric Barbier’s “Promise at Dawn” will headline the 2018 Colcoa French Film Festival on April 23, the Franco-American Cultural Fund announced Tuesday.

Promise at Dawn” is an adaptation of French author Romain Gary’s autobiography that stars Pierre Niney and Charlotte Gainsbourg. The film will kick off the screenings of 37 new features and documentaries competing for the Colcoa Cinema Awards at the Directors Guild of America in Los Angeles. The event will present a record total of 86 films, TV shows, digital series, and virtual reality programs, 75 of which will be considered for the Colcoa awards throughout the week’s festivities, which will culminate on May 1.

Colcoa executive producer and artistic director Francois Truffart also announced that this year’s festival will set aside a day exclusively for screening first films made by female writers and directors. The day, titled “Focus on a Filmmaker Day,” will honor writer, director, and actor Melanie
See full article at Variety »

France's Damned Films boards Thai drama 'Anatomy Of Time' (exclusive)

Jakrawal Nilthamrong’s Anatomy Of Time will start shooting late 2018/early 2019.

Paris-based production house Damned Films has boarded Thai filmmaker Jakrawal Nilthamrong’s Anatomy Of Time as co-producer alongside Thailand’s Diversion and Mit Out Sound Films.

Nilthamrong previously directed Vanishing Point, which won the Tiger Award at Rotterdam film festival in 2015. His new project follows an old woman looking back at the regrets and disappointments of her life, while caring for her disgraced army general husband, who is lying in a coma.

Damned Films’ Yohann Cornu will produce the film with Diversion’s Mai Meksawan and Mit Out Sound’s Chatchai Chaiyon. Meksawan is also in talks with co-producers from Germany and the Netherlands.

The project has been granted development support from the Hubert Bals Fund and was also selected for Paris Coproduction Village last year. It is expected to start shooting in late 2018 or early 2019.

Cornu previously produced Brazilian filmmaker Fellipe Barbosa’s Gabriel And The Mountain, which premiered
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Sarajevo's Kinoscope to show 'The Square', 'Loveless'

Sarajevo's Kinoscope to show 'The Square', 'Loveless'
Michael Haneke’s Happy End also among titles in non-competitive strand.

The Sarajevo International Film Festival (August 11-18) has unveiled the line-up for its Kinoscope programme, with 17 titles competing.

The non-competitive strand, which first launched in 2012, selects titles from around the globe and excludes territories featured in the main competition.

Among this year’s cohort are major titles to have competed at Cannes including the Palme d’Or-winner The Square, Michael Haneke’s latest feature Happy End and Andrey Zvyagintsev’s well-received Loveless.

Fellipe Gamarano Barbosa’s Gabriel And The Mountain, Léonor Serraille’s Montparnasse Bienvenüe, Chloé Zhao’s The Rider and Valeska Grisebach’s Western are also included.

The 2017 Kinoscope Line-up


France, 2017, 105 min.

Director: Léa Mysius

Gabriel And The Mountain / Gabriel E A Montanha

Brazil, France, 2017, 127 min.

Director: Fellipe Gamarano Barbosa

A Ghost Story

USA, 2017, 93 min.

Director: David Lowery

Godspeed / Yi Lu Shun Feng

Taiwan, 2016, 111 min.

Director: Mong-Hong Chung

Happy End

France, Austria, Germany
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Bypassed Palme d'Or Contenders Academy Award Chances? From Haneke's Latest to Pattinson Thriller

'Good Time' with Robert Pattinson: All but completely bypassed at the Cannes Film Festival, Ben and Joshua Safdie's crime thriller – co-written by Joshua Safdie and Ronald Bronstein – may turn out to be a key contender in various categories next awards season. Bypassed Palme d'Or contenders (See previous post re: Cannes winners Diane Kruger & Sofia Coppola's Oscar chances.) The Cannes Film Festival has historically been both U.S.- and eurocentric. In other words, filmmaking from other countries in the Americas, Africa, Asia, and the Pacific tend to be ignored either at the awards ceremony or at the very outset – in other words, they don't even get the chance to compete for the Palme d'Or. This year was no different, with a mere two non-u.S., non-European productions (or co-productions) among the 19 films in the Official Competition: Naomi Kawase's Japanese romantic drama Radiance and Hong Sang-soo's South Korean romantic drama The Day After. Both came out empty-handed. Among the other movies that failed to win any of the Official Competition awards, several may have a shot in some category or other come Oscar time. Notably: The socially conscious family drama Happy End, produced by veteran Margaret Ménégoz (Pauline at the Beach, Europa Europa) and a Sony Pictures Classics release in North America. Dir.: Michael Haneke. Cast: Isabelle Huppert. Jean-Louis Trintignant. Mathieu Kassovitz. The mix of time-bending mystery and family drama Wonderstruck, a Roadside Attractions / Amazon Studios release (on Oct. 20) in the U.S. Dir.: Todd Haynes. Cast: Julianne Moore. Millicent Simmonds. Cory Michael Smith. The crime drama Good Time, an A24 release (on Aug. 11) in the U.S. Dir.: Ben and Joshua Safdie. Cast: Robert Pattinson. Jennifer Jason Leigh. Barkhad Abdi. Cannes non-win doesn't mean weaker Oscar chances It's good to remember that the lack of a Cannes Film Festival win doesn't necessarily reduce a film's, a director's, a screenwriter's, or a performer's Oscar chances. Case in point: last year's Cannes Best Actress “loser” Isabelle Huppert for Elle. Here are a few other recent examples of Cannes non-winners in specific categories that went on to receive Oscar nods: Carol (2015), Best Actress (Cate Blanchett) nominee. Two Days, One Night / Deux jours, une nuit (2014), Best Actress (Marion Cotillard) nominee. The Great Beauty / La grande bellezza (2013), Best Foreign Language Film winner. The Hunt / Jagten (2012), Best Foreign Language Film nominee (at the 2013 Academy Awards). The Artist (2011), Best Picture and Best Director (Michel Hazanavicius) Oscar winner. And here's a special case: Amour leading lady and 2012 Best Actress Oscar nominee Emmanuelle Riva could not have won the Best Actress Award at Cannes, as current festival rules prevent Palme d'Or winners from taking home any other Official Competition awards. In other words, Isabelle Huppert (again), Julianne Moore, and Robert Pattinson – and their respective films – could theoretically remain strong Oscar contenders despite the absence of Cannes Film Festival Official Competition victories. Mohammad Rasoulof and Leslie Caron among other notable Cannes winners Besides those already mentioned in this article, notable winners at the 2017 Cannes Film Festival include: Mohammad Rasoulof's A Man of Integrity. Having infuriated Iran's theocracy, in 2010 Rasoulof was sentenced to a year in prison following accusations of “filming without a permit.” He has been out on bail. In 2011, Rasoulof won the Un Certain Regard sidebar's Best Director Award for Goodbye. Two years later, his Un Certain Regard entry Manuscripts Don't Burn won the International Film Critics' Fipresci Prize. Veteran Leslie Caron and her 17-year-old pet rescue dog Tchi Tchi shared the Palm DogManitarian Award for their work in the British television series The Durrells in Corfu / The Durrells. Caron, who will be turning 86 on July 1, made her film debut in Vincente Minnelli's 1951 musical An American in Paris – that year's Best Picture Academy Award winner. She would be shortlisted twice for the Best Actress Oscar: Lili (1953) and The L-Shaped Room (1963). Last year, she was the subject of Larry Weinstein's documentary Leslie Caron: The Reluctant Star and will next be seen in Thomas Brunot's short The Perfect Age. Faces Places / Visages, villages, which offers a tour of the French countryside, won Cannes' Golden Eye Award for Best Documentary. The directors are veteran Agnès Varda (Cléo from 5 to 7, Vagabond), who turned 89 on May 30, and photographer/muralist Jr. Faces Places is supposed to be Varda's swan song, following a career spanning more than six decades. Her 2008 César-winning documentary The Beaches of Agnès was one of the 15 semi-finalists for the Best Documentary Feature Oscar. See below a comprehensive list of the 2017 Cannes Film Festival winners. Leslie Caron in 'The Durrells in Corfu.' TV series a.k.a. 'The Durrells' earned the veteran two-time Best Actress Oscar nominee ('Lili,' 1953; 'The L-Shaped Room,' 1963) and her dog companion Tchi Tchi this year's Palm DogManitarian Award at the Cannes Film Festival. 2017 Cannes Film Festival winners Official Competition Palme d'Or: The Square (dir.: Ruben Östlund). Grand Prix: 120 Beats per Minute (dir.: Robin Campillo). Jury Prize: Loveless (dir.: Andrey Zvyagintsev). Best Screenplay (tie): The Killing of a Sacred Deer, Yorgos Lanthimos & Efthymis Filippou. You Were Never Really Here, Lynne Ramsay. Best Actress: Diane Kruger, In the Fade. Best Actor: Joaquin Phoenix, You Were Never Really Here. Best Director: Sofia Coppola, The Beguiled. Best Short Film: A Gentle Night (dir.: Qiu Yang). Short Film Special Mention: Katto (dir.: Teppo Airaksinen). Un Certain Regard Un Certain Regard Award: A Man of Integrity (dir.: Mohammad Rasoulof). Jury Prize: April's Daughter / Las hijas de abril (dir.: Michel Franco). Best Director: Taylor Sheridan, Wind River. Best Actress / Best Performance: Jasmine Trinca, Fortunata. Prize for Best Poetic Narrative: Barbara (dir.: Mathieu Amalric). International Film Critics' Fipresci Prize Official Competition: 120 Beats per Minute. Un Certain Regard: Closeness (dir.: Kantemir Balagov). Directors' Fortnight: The Nothing Factory / A Fábrica de Nada (dir.: Pedro Pinho). Directors' Fortnight / Quinzaine des Réalisateurs Prix Sacd (Société des Auteurs Compositeurs Dramatiques) (tie): Lover for a Day / L'amant d'un jour (dir.: Philippe Garrel). Let the Sunshine In / Un beau soleil intérieur (dir.: Claire Denis). C.I.C.A.E. Art Cinema Award: The Rider (dir.: Chloe Zhao). Europa Cinemas Label: A Ciambra (dir.: Jonas Carpignano). Prix Illy for Best Short Film: Back to Genoa City / Retour à Genoa City (dir.: Benoît Grimalt). Critics' Week Grand Prize: Makala (dir.: Emmanuel Gras). Visionary Award: Gabriel and the Mountain / Gabriel e a Montanha (dir.: Fellipe Barbosa). Gan Foundation Award for Distribution: Version Originale Condor, French distributor of Gabriel and the Mountain. Sacd Award: Léa Mysius, Ava. Discovery Award for Best Short Film: Los desheredados (dir.: Laura Ferrés). Canal+ Award for Best Short Film: The Best Fireworks Ever / Najpienkniejsze Fajerwerki Ever (dir.: Aleksandra Terpinska). Other Cannes Film Festival 2017 Awards 70th Anniversary prize: Nicole Kidman. Caméra d'Or for Best First Film: Montparnasse Bienvenue / Jeune femme (dir.: Léonor Serraille). Golden Eye Award for Best Documentary: Faces Places / Visages, Villages (dir.: Agnès Varda, Jr). Prize of the Ecumenical Jury: Radiance (dir.: Naomi Kawase). Queer Palm: 120 Beats per Minute. Queer Palm for Best Short Film: Islands / Les îles (dir.: Yann Gonzalez). Cannes Soundtrack Award for Best Composer: Daniel Lopatin, Good Time. Vulcan Prize for Artist Technicians: Josefin Åsberg, The Square. Kering Women in Motion Award: Isabelle Huppert. Palm Dog: Einstein the Dog for The Meyerowitz Stories (New and Selected). Palm DogManitarian Award: Leslie Caron and the dog Tchi Tchi for The Durrells in Corfu. Chopard Trophy for Male/Female Revelation: George MacKay and Anya Taylor-Joy. This article was originally published at Alt Film Guide (
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Accolades for Cannes new talent by Richard Mowe - 2017-05-25 18:53:26

Message of hope in Makala, Cannes Critics’ Week prizewinner Photo: Semaine de la Critique

With only three days to go before the Cannes Film Festival announces its main prizes on Sunday, the sidebar Critics’ Week tonight announced its awards (25 May).

The top prize has gone to Makala, directed by Emmanuel Gras, which scored the Nespresso Grand Prize, including a 15,000 euros prize.

Set in Congo, the film follows a young peasant who dreams of a better future for his loved ones. He embarks on a dangerous and exhausting journey in order to trade the fruit of his work. En route he discovers the value of his efforts and the price he has to pay for his dreams.

A total of seven films competed in the Critics' Week section, which concentrates on discovering new talent.

Gabriel And The Mountain / Gabriel E A Montanha, directed by Fellipe Gamarano Barbosa, earned the France 4 Visionary Award,
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