Larger than life, wild, scary and androgynous - Grace Jones plays all these parts. Yet here we also discover her as a lover, daughter, mother, sister and even grandmother, as she submits ...
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Larger than life, wild, scary and androgynous - Grace Jones plays all these parts. Yet here we also discover her as a lover, daughter, mother, sister and even grandmother, as she submits herself to our gaze and allows us to understand what constitutes her mask. The stage is where her most extreme embodiments are realised and her theatrical imagination lets loose: this is where the musical of her life is played out. The film includes Grace's unique performances singing iconic hits such as Slave To The Rhythm, Pull Up To The Bumper, as well as the more recent autobiographical tracks Williams' Bloods and Hurricane. These personal songs also link to Grace's family life, as the film takes us on a holiday road trip across Jamaica, where her family roots and the story of her traumatic childhood are uncovered. In Jamaican patois, 'Bloodlight' is the red light that illuminates when an artist is recording and 'Bami' means bread, the substance of daily life. Grace Jones: Bloodlight and Bami ...
There is no doubt Grace Jones is a great subject. For anything, be it her music, her performance or as a muse. She has a lot of history and above anything else, a character.
Who knows the direction of the director is going. I was patient for the first 30 minutes waiting for something to happen. Somewhere along the line, she probably threw her original idea up in the air and just wing it. The result is a bad cut and paste project any high school student aspiring to do a documentary about his high school glee club can surpass this mess by seven fold.
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