The story of Dick Cheney, an unassuming bureaucratic Washington insider, who quietly wielded immense power as Vice President to George W. Bush, reshaping the country and the globe in ways that we still feel today.
In early 18th century England, a frail Queen Anne occupies the throne and her close friend, Lady Sarah, governs the country in her stead. When a new servant, Abigail, arrives, her charm endears her to Sarah.
Ron Stallworth, an African American police officer from Colorado Springs, CO, successfully manages to infiltrate the local Ku Klux Klan branch with the help of a Jewish surrogate who eventually becomes its leader. Based on actual events.
John David Washington,
African-American teen sweethearts Fonny and Tish are ripped apart when Fonny is wrongly arrested for the rape of a Puerto Rican woman because of the machinations of a racist cop. While seeking justice for Fonny, a pregnant Tish relies on her Harlem community, including her sister, mother Sharon and future mother-in-law.
If Beale Street Could Talk is hands down one of the best movies of the year. Barry Jenkins again triumphs in truly showing, not simply telling, that blackness is beautiful and that black lives do matter.
Part of me understands the argument that this would have been best served as a theatrical production, as the dialogue feels as such at times. But then I come back to the fact that Jenkins is such an immersive director: intimate visual style, precise editing that enriches both the themes and intrigue of narrative, and his perfect use of music. The cinematic medium allows for the expressionistic strokes that elevates the story to such a powerful experience.
Final thought: I do not remember life before this Nicholas Britell score. I keep refreshing Spotify hoping for it to drop.
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