6.2/10
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2 user 9 critic

Unforgiven (2018)

Neproshchennyy (original title)
Vitaliy Kaloev's life has stopped at the moment when the plane with his wife and children collides with the cargo plane. He's searching for justice and persuades air navigation company to apologize and confess it's guilt for disaster.

Director:

Sarik Andreasyan
Reviews
1 nomination. See more awards »

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Cast

Credited cast:
Dmitriy Nagiev ... Vitaliy Kaloev
Rest of cast listed alphabetically:
Dmitry Brauer Dmitry Brauer ... Advokat
Georges Devdariani ... Swiss Prosecutor
Leart Dokle Leart Dokle ... Electrician
Oksana Filonenko Oksana Filonenko ... Diktor TV
Michael Gor ... Vladimir Savchuk
Monika Gossmann ... Letizia / Nurse
Karina Kagramanyan Karina Kagramanyan ... Diana
Leyla Kirilova Leyla Kirilova ... Zhurnalistka
Pyotr Nesterov Pyotr Nesterov
Gulya Nizhinskaya
Mikhail Safronov ... Aleksandr Gross
Lisaveta Sakhnova Lisaveta Sakhnova
Pavel Savinov Pavel Savinov ... Ispanets v aeroportu
Artyom Shklyaev Artyom Shklyaev ... Konstantin
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Storyline

Vitaliy Kaloev's life has stopped at the moment when the plane with his wife and children collides with the cargo plane. He's searching for justice and persuades air navigation company to apologize and confess it's guilt for disaster.

Plot Summary | Add Synopsis

Taglines:

I've given up on God

Genres:

Drama

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Details

Country:

Russia

Language:

Russian

Release Date:

27 September 2018 (Russia) See more »

Also Known As:

Unforgiven See more »

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Box Office

Budget:

$1,500,000 (estimated)

Cumulative Worldwide Gross:

$5,969,619
See more on IMDbPro »

Company Credits

Production Co:

Big Cinema House See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color
See full technical specs »
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Did You Know?

Trivia

Dmitriy Nagiev had to lose 8kg in preparation for his role of Vitaliy Kaloev. See more »

Connections

Referenced in Vdud: Dmitriy Nagiev (2018) See more »

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User Reviews

 
For some people a tragedy like this is simply too much (even more, if the guilty ones want to get away with it).
7 February 2019 | by stefano-detoniSee all my reviews

It is not what everybody expected to see from a show-man like Dmitriy Nagiev, including I. Therefore it was a pleasant surprise for me, and for the same reason a delusion for others. So, the movie is well done, is corageous, both in the sense that Nagiev is a star as entertainer of the small screen, and in the sense that today, doing a movie which investigates feelings, motivations, the sense of justice, the right or not-right to take the law into one's own hands, death and mourn, is not the way to become a block-buster. The director makes the choice of making a movie about the inner self of the main character, about how he copes with a tragedy which struck and swept away his beloved family from one day to the other. A tragedy which was due to human mistakes, and human carelessness, I may say. More than the death of his wife and children, he is tormented by his feeling of guilt (true or imaginary) for having invited them to Spain, and by the refusal of the man who was responsible for the tragedy to beg pardon. He just cannot accept that the company wants to get away with it only by giving him a compensation, like for having stained his suite. Here the director and the scriptwriters are able in representing the executive of the company as not interested at all in the human sorrow they have caused, but only in getting rid of the whole matter, preserving their appearance in front of the public opinion. On top of this, the man who made the awful mistake is so haughty that he will not say he is sorry, even if he puts the whole company into an embarrassing position and even if with that few words he could get rid of that irritating man. His haughtiness goes beyond even his self-interest. This refusal to ask for pardon hits the widowed more than anything else, and maybe we can understand him. This does not mean sharing his deed, which is after all difficult to interpret: is it revenge, though not planned, or "only" a moment of wrath? Be it the one of the other, it is the result of his not being able to cope with the sorrow which struck him. The inner motivations play their role, but I keep myself from approving self-justice, even if for the detestable behaviour of somebody. Anyway, it is a movie which stimulates the spectator to reflect and build his own ideas and opinion on what goes on on the screen and happened in reality. The pace is slow, the action is minimal, the atmosphere the feelings are more important than the plot. And the budget is low. But the film is more than respectable, the director has a secure hand and a precise look, and the show-man who plays in it is a true actor.


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