The story of Dick Cheney, an unassuming bureaucratic Washington insider, who quietly wielded immense power as Vice President to George W. Bush, reshaping the country and the globe in ways that we still feel today.
Through ground breaking computer restoration technology, filmmaker Peter Jackson's team creates a moving real-to-life depiction of the WWI, as never seen before in restored, vivid colorizing & retiming of the film frames, in order to honor those who fought and more accurately depict this historical moment in world history.Written by
All the footage was originally shot in monochrome and was colourised by Peter Jackson's 'Wingnut film's production company a century later. Experiments in colour motion picture photography go back about ten years before the first world war began and some WW1 colour footage made in an early process called 'Kinecolor' was known to have been made but is not used in this film. See more »
Several shots of tanks appear in the film, both Mark V (Mark Five) and Mark V* (Mark Five Star). They have been coloured green. In reality, tanks of these types were painted "a neutral brown colour". See the article by the British Tank Museum which states that. "Surrendering to the inevitable, towards the end of 1916 it was ordered that the tanks should be painted in a 'neutral brown colour' all over." The staff at the Museum told me they were surprised that the filmmakers didn't consult them. See more »
You don't look, you see. You don't hear, you listen. You taste the top of your mouth. Your nose is filled with fumes and death. But the near of civilization has dropped away.
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"Filmed on location on the Western Front, 1914 to 1918" See more »
Jackson's remarkable looking documentary is an amalgam of archive footage (much of it originally staged for the 1916 film 'The Battle of the Somme'), with only a tiny amount of actual battle footage given the early nature of film cameras in those days, plus the more moving sight of several of the soldiers staring and smiling into camera, and thanks to skillful lip-reading, speaking through interpreted voices.
The slowing down to our standard 24fps and adding of voices is beautifully touching. I personally don't know if it was essential to colourise as some of the greys in the originals are still visible, when uncolourised black and white footage is still just as immediate (the irony is that so many war films nowadays are drained of colour anyway.) Nonetheless, it is a vivid impression of life on the Western Front that Jackson helps to create, and remains refreshingly objective to its time, reflecting the general pro-war feelings at the beginning in 1914, and through carefully selected testimonies of the many hundreds of soldiers, unfolds the story of a kind of war that had never been seen before, or hopefully never will be again. Sadly humanity never learns its lesson, as the "war to end all wars" is now better known as World War I - all the more reason for history to remind us.
You watch this film, and in some of its more harrowing scenes you can see all the visual influence that Jackson drew upon for his Lord of the Rings trilogy. He dedicated this film to his grandfather who served in the war, and watching it , on the day after my own great grandfather's birthday (who also served in WWI), it was a thought provoking moment that stayed with me for a few hours after.
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