Catch-22 (2019– )
3 user 6 critic

Episode #1.5 

Reeling from one violent tragedy, Yossarian encounters incomprehensible darkness in Rome, and is faced with an impossible choice.


Grant Heslov


Luke Davies (developed by), David Michôd (developed by) | 3 more credits »


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Episode cast overview, first billed only:
Christopher Abbott ... Yossarian
Kyle Chandler ... Colonel Cathcart
Daniel David Stewart ... Milo
Rafi Gavron ... Aarfy
Graham Patrick Martin ... Orr
George Clooney ... Scheisskopf
Kevin J. O'Connor ... Lt. Colonel Korn
Tessa Ferrer ... Nurse Duckett
Ian Toner ... Peele
Marilena Anniballi Marilena Anniballi ... Michaela
Viola Pizzetti Viola Pizzetti ... Ines
Domenico Cuomo Domenico Cuomo ... Lorenzo
Giovanni Stocchino Giovanni Stocchino ... Leonardo
Joseph Millson ... Head MP
Daniele Amendola Daniele Amendola ... Menacing Man


Reeling from one violent tragedy, Yossarian encounters incomprehensible darkness in Rome, and is faced with an impossible choice.

Plot Summary | Add Synopsis


Comedy | Crime | Drama | War



Release Date:

17 May 2019 (USA) See more »

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User Reviews

give him a medal..
22 May 2019 | by Arth_JoshiSee all my reviews


Luke Davies and David Michod distributes caution flyers before their play starts up. It has a catch. They have tried to walk that fine line between comedy and drama, it may serve the purpose but it may not be served up front. You, as an audience, are asked to compromise, to let go off plenty of things before you join in on their camp and work hard and earn your price. Joseph Heller's adaptation of this novel has had better versions. It certainly is more engaging and crowded but it also takes up a notch, for the shocks and thrills; unfortunately it doesn't bode well especially when it goes dark.

Out of many, many elements spread around the six chapters, the "missions remaining" countdown on the screen is the best and the most successful one. The annoyance of our lead character, Christopher Abbott communicates with us and the anger shared. On terms of humor, Hugh Laurie as an utterly confident Major gets a huge chunk of it along with his co-star and dear friend George Clooney sharing the laughs with a stereotypical commands-gone-wrong gags. There is a certain amount of light in your eyes visible as soon as they appear on screen.

Abbott as the frustrated and often flawed protagonist ultimately- after a long tiring and effortful battle with us- gets the empathy from us. With undergone loads of jarring information about the day to day politics of this camp, Abbott learns to be shameless like them, in the end, literally! Often the series tends to stretch, just for one joke or one punch which can be a test of patience for the viewers to sit through it. The term Catch-22, just like it is defined in the series, is confined in its self-created loop and no one, no one has the guts to break that wheel.

Episode #1.5

There are plenty of dark elements to get over from, it is very difficult to take it all in and just when you think Christopher Abbott couldn't fall into more trouble, Clooney swoops in and charms his way out with an agenda to properly shatter his dreams; that was definitely fun, amidst a train of unbearable events.

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