6.4/10
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16 user 7 critic

Hidden Man (2018)

Xie bu ya zheng (original title)
A young swordsman in 1930's China returns home to try and solve a five-year-old murder case. Described as the third installment of the gangster trilogy that includes "Let The Bullets Fly" and "Gone With The Bullets."

Director:

Wen Jiang

Writers:

Beihai Zhang (novel), Wen Jiang (screenplay) | 3 more credits »
Reviews
5 wins & 24 nominations. See more awards »

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Cast

Credited cast:
Eddie Peng ... Li Tianran
Fan Liao ... Zhu Qianlong
Yun Zhou ... Guan Qiaohong
Qing Xu ... Tang Fengyi
Kenya Sawada ... Nemoto Ichiro
Andy Friend Andy Friend ... Wallace Hendler
Wen Jiang ... Lan Qingfeng
Rest of cast listed alphabetically:
Jiali Ding ... Master's wife
Junichi Kajioka ... Tank captain
Meng Li ... Lan Lan
Xiaoning Liu Xiaoning Liu ... Master
Paul Morris Paul Morris ... Dr. Morris
Chen Mu Chen Mu ... Dean of Union Hospital
Steven Schwankert Steven Schwankert ... Agent's boss
Hang Shi Hang Shi ... Pan Yueran
Edit

Storyline

A young swordsman in 1930's China returns home to try and solve a five-year-old murder case. Described as the third installment of the gangster trilogy that includes "Let The Bullets Fly" and "Gone With The Bullets."

Plot Summary | Add Synopsis

Genres:

Action | Crime | Drama | History

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Details

Country:

China

Language:

Mandarin | English | Japanese | French

Release Date:

13 July 2018 (China) See more »

Also Known As:

Hidden Man See more »

Company Credits

Production Co:

Gravity Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS (DTS: X)| Dolby Atmos | Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The film's premiere was at TIFF in Toronto in September 2018. See more »

Frequently Asked Questions

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User Reviews

 
Lose Focus
13 July 2018 | by e-70733See all my reviews

As usual, Jiang Wen served as the director, screenwriter, and actor of the film, but this time he seems to have lost focus. Occasionally, the aura is reminding the audience from time to time that the movie is relatively safe and relatively interesting. The lantern-style character rushed to show the world view to the audience, so Jiang Wen's quick editing with full tension turned into a rush in the film. Seeing the end, I feel that it is a sloppy ending in the sense of reason, and the sensibility feels "finally over."


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