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The tedency of filmmaking
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Big Fish (2003)
I want to tell you from the world that his creator is tim.
His world is exclusively personal and compilation, and he can make the world better than imagining, dreaming and watching.
His ability to portray content and creative imagery is not in vain, and he unveils a trunk of a dream that his fans are waiting for.
In fact, he opens the world for you to get out of there for a dilemma and a dream come true for you and you know that you have to stay. You must stay and enjoy your world.
The great fish unveils the world of imagination and inner humanity that is not very acceptable.
She is not confirmed by her single son, and he still drops the pain during the film.
Of course, this dreaming is acknowledged emotionally by his wife and bride, but since part of the focus of the story depends on the presence and attitude of his son, the movie's pretender is arranged so that he and his dreams are not recognized. But not matters.
Tim Burton, with all its existence, shows a picture of his man, who is heavily bound up with determination to dream.
The dream that ultimately brings to the film, and it means miracles.
The miracle that comes from belief and dreaming is beyond the reach of the general audience.
Something over to our recognition. tim unveiled a large fish of its own world so that we understand that he, like Ed Bloom, has an unlimited limitless dream. All his work is the result of this attitude.
He is the author of the film, and the style of Tim Burtonism is at least in the minds of fans. see this film and other activities of the team surly.
It depicts a rare psychological state, so that in the first place the basic question arises as to how it was before.
The family does not have the necessary harmony.
Logic and rationality require us not to imagine these two couples in each other.
Even with three children, they do not have harmony together.
The film has a slight mention in the early sequences of the psychological state of the family, and it shows that as a result of the psychological conditions of each individual in the family, it results that a particular fantastic psychological pattern arises.
In the first and second section, everything is close to reality, and it promises a real story, but in the third curtain, and when Michael escapes from prison, everything goes exaggerated and out of nature.
That the audience remains drowned in questionless questions before drowning in the inflammatory atmosphere of successive murders.
How easy Michael ran away, how easy to kill, how fast he would go, how he would look for his sister, how much srrong and not die, and ...
The whole can not be a very good score because it was the source of the question rather than the source of the effect.
If it were to define a more realistic drama for it, especially in the final moments, it would have scientifically put its own impact on itself, in addition to being scary.
Jerusalem is the name of a city which is the site crossroads of three continents, as well as a three-dimensional social with three important religions, each of which follows its customs.
In this regard, Daniel Ferguson has created a forty minute documentary on the city and examined the nature of this city both historically, geographically and religiously.
The film has been technically very robust and we have seen beautiful, meaningful images always with a strong dialogue.
The documentary deals with the theme of the project without any tendency and follows the views of three Jewish, Christian and Muslim girls respectively.
Religious and building ceremonies, as well as religious celebrations and holidays, are well depicted as if they left the viewer in the same place.
The fascinating documentary evidence of Jerusalem from a particular angle suggests the peaceful coexistence of their masses as if they have learned how to live their lives in the vicinity.
The selection of three girls from the perspective of their views points to the future of that place.
They are a peace-loving generation who demands tranquility with love for their land.
Khaneh siah ast (1963)
Masterpiece is the basis of a documentary of its time to this day.
Therefore, Iran's documentary career honor the backing of this work.
Although successful movies have been seen in the Iranian documentary cinema from the first to present day, the collaboration of Ebrahim Golestan and Dear Forough Farrokhzad with documentary subjects has largely distinguished this film.
The documentary refers to a place where lepers people are taken from quarantined villagers.
The colony of lepers living together in an enclosed environment.
The most important thing in the audience's beliefs, as the name suggests, is the mere darkness of the world of leprosy, but with a particular look it can be concluded that the general documented theme is life expectancy.
This look can be viewed from a more in-depth angle at the wedding, kids' play and classroom. Because they laugh, despite physical problems, they play and even get married.
In any case, we can not rule out that the glass of water, in addition to half empty, has full half.
Forough Farrokhzad have lived for about ten days in order to accompany and coordinate of filming, and this represents a great spirit and professional approach.
Signs indicate that the documentary has the 19th place among the fifty documentary titles in the world, in the site and sond, which is typically a special art work for Iran.
A French documentary Movie consisting of two key sections.
Extreme Long shot that freez you and is very eye-catching.
The most important question the audience asks for is whether all these colors and beauty are located near the human being and, if so, why it does not look and can not be seen.
This documentary Movie will first familiarize you with your environment, regardless of the specific point.
On the other hand, confessions, expressions, beliefs and desires of humans, regardless of skin color, nationality and geographic algebra.
The director fairly divides the camera so they can talk.
The selection of the human is a graceful name for the documentary. Frenchman yaan Arthus Berterand gave them a great opportunity to get acquainted with the nature of human diverse.
The first human episode of the masterpiece is all the meaning of the movie that you put on your nail.
The human document is the opposite of geographic algebra, as if it incorporated the totality and the human nature together and put it in front of the audience.
The medium shot of his interviews is very well combined and very zooming so the speaker does not distance himself from sincerity.
Everyone knows the semantics of dishonesty, which means unquestioning domination over what the director is doing.
At a time when typical filmfarsi (the movie made before iran revolution) were in the same time and time as their counterparts, the construction and revival of a new thinking in this field seemed risky and even deadly.
Especially when demanded, it would have been more productive from the angle of the suppliers, and more investment than before.
This routine and this demand seems obviously logical, but there were directors who wanted to be frantic and depending on the type of ambition, power and faith in the work, in this way, they presented works that some of them had to do with the finer works in this Backgrounds turned out.
Risk-taking power and the ability to master individual abilities in this way were, in their time, a big risk, which is such a worthwhile gift.
At that time, 1972 films were made that did not look like other films from a style.
In all the films of that era, the audience's desire was a happy ending, but it was not the case in this film, and it was argued that one could, without regard to the instinctive appearances of the audience, follow the fact that it was not necessary to make what was meant by others Is.
It is possible to have an opinion in this field and make the story with a firm determination and what was just what the director and storyteller was about to construct and exploit.
The Downpour of the first feature film by Bahram Beyzaie is a striking example of the new wave of Iranian cinema, which independently, regardless of its prevailing rule of time, is the end of a happy journey, and it seems successful in this regard and in this respect.
Now that the film is an age 45 years old , its continues to be in the field of the New Wave in this time, and has signed the big Bahram Beyzaei signature and is one of his honors.
Of course, this movie was subject to destruction, which was restored and remained by the Scorsese Foundation.
Mohey movie tells the reality that, outside of the cinema, there is a real need for complete information.
Mohey In his body, points out the current history of the Iranian-owned gold in Turkey, which, of course, has not officially been unveiled to Iran.
The movie, of course, shows a conservative view that the dirty work process and the dirty money issue have nothing to do with sanctions, and the subject of sanctions is later on.
The film depicts sacrifice and sacrifices in the process of black work, most Mohey the role of Anna Nemati.
However, the story, in its abundance, defines the story of the import of beauty products inadvertently, and cries out indirect references to the weakness of control by law and the strong foundations of rents in the field of import to the country.
The film has a poor sale at the box office, and as the director of the film announced the delay in leaving the work of the bureaucracy of the Guidance, it can be inferred that low sales could be reasons beyond the nature and the quality and subject of the film.
Come See the Paradise (1990)
Japanese immigration to the United States during the years leading up to World War II poses a romantic drama under the shadow of the Japanese-American war, full of inflammation points.
Its successful impact is due to its interesting issues.
The Little Japan Adventures in Los Angeles and the Immigrant Japanese Colony, a Japan-wide circle that portrays the controversy of the relatively rich cortex.
Meanwhile, an Irish young man loves the daughter of his Japanese boss, Lily, who, in Lilly's father's idea, is a matter of principle, violating his wishes.
Their efforts to achieve their will bring success to them, but this is not the case.
Japan is attacking the Pearl Harbor, causing a US war on Japan.
The wealthy Kavamura family is no longer like the former, and they are quarantined with other Japanese people.
The shock caused by changing the way of life on the one hand, and how they are treated and demanded by the subject, depicts the whole story.
Their collective commitment and requests to the Japanese look and feel of the Irish-type approach, which has long been a long history of immigration to the United States, as depicted in the film Gangs of New York, is a film-maker. It is a good and it will cause you to sympathy perceptions throughout your life.
One of the bold hallmarks of the film is that the family reaches out to the strain, but despite many things, the family remains stable, which can be called the Japanese movie signature.
On the other hand, Irishman Jack McGun is the protest and perseverance against the lawlessness, with respect to morality and humanity, which he also represents the Irish signing of the film.
In general, it can be estimated that the film is not American, and it was made against the United States based on the history of the Second World War and according to how the US was treated by its immigrants.
Break the piece of wood and I'm there, raise a stone to find me below it.
This message is the key to the story.
The general message of the film, but it refers to something we have heard about it implicitly or if we do not hear it, we will get acquainted with it in the film.
Stigmata is the process in which the true believer of Christianity suffers from the traces and injuries that Christ himself enters, as evidenced by the election.
Frankie is an ordinary girl and goddess who receives these marks in the film.
The discriminatory point of this story is defined almost here, which is not particularly true of Catholic believers.
The story features of the film is narrated by a pastor who wants to convey the true sayings of Christ, but not succeed.
His spirit, with the scroll of the Frankish body, shows the transmission of Christ's speech by showing the signs of Stigmata, which shows God much simpler and free of the Catholic political government that empowers the church. The church, however, has struggled with these former signs and put down the repression on its agenda.
In this film, we can see how the church's policy in the subsequent repression of the transmission message of Christ fails.
However, the key story point is its success in broadcasting and avoiding it by the Vatican and Italian hardliners.
According to the IMDB reference site, this movie has come to fruition. In my opinion, the success of the film is to simplify the geography of their concepts and religious messages.
The film's visual appeal is to say that the fascinating sequences of the film are abstract and the most impressive.
A Quiet Place (2018)
It's not scary, but it gives you a lot of dread.
You are faced with a special kind of technique where the sound is based on the drum based on the silence, and silence is the basis of the struggle for survival.
The design and innovation of nature and the creation of dreaded characters has brought a unique success to the film as far as the 7.9 acceptable score on the IMDB site is based on popular vote.
The starting point, the acceptable continuation and ending at the appropriate quality level are dramatic, and based on the type of genre, there is a good deal of conflicts.
In general, it can be inferred that a quiet place movie, based on the theme and its integration with a particular type of sound-dependent story-based, has succeeded.
Other interesting things are the film, but Lee's presence in the role of the father of family, who plays a key role and at the same time is the director of the film, which shows that he has potential.
The Cake Eaters (2007)
It deals with human relationships in their particular circumstances.
Each of these two families has special conditions.
In the past, as well as over time, we like to see the continuation of the film at the middle, but it seems that the film suddenly loses its feature and leaves us with an entirely unfinished one.
In fact, one of the three parts of the film's effect is left to the end that is surprising.
Kristine Stewart, in the role of Georgia, plays a fantastic role and satisfactory view of the character of the story, and to some extent the core of the film finds out with his story and circumstances.
A girl who has a nerve system disorder and her movement status is severely affected by her illness and does not have much time to live until she comes to the conclusion that she will continue to live in a different way.
He is looking for a relationship with Dwight, but not in a love affair, but just for experience and happening. On the other hand, the father of Dwight, who recently lost his wife, is moving forward with the grandmother of Georgia in the past, and the confrontation between these two events led to a story that spells the way in the final sequences of the film Depicting where the father of Dwight and the grandmother of Georgia share with each other what is happening.
Despite the fascination of the story, we did not witness the endearing and fruitful of the film.
Grizzly Man (2005)
Timothy Treadwell is a non-sequential star-studded man, his own film, and Werner Herzog.
You did not get a deep understanding of Timothy's psychological state even during the film, but to some extent you can have a simpatian with him and his ideas.
What he wants and what his goal and program are, it is understandable in the film, but not reaching this level of risk in the minds of no human being.
The narration of the movie unveils his wish and his aspirations, and you will see that this movie is very different from the person you work with.
The main point is how can this be so, Werner Herzog's documentary is a special reference to the child and his age, but the puzzle is still not solvable.
How you spend thirteen summer of your life alone and living with the most dangerous and most terrible animal, the grizzly bears, is the result of the chemical influences in your mind that you are constantly looking for.
Watching some of the sequences of this movie in audience's position, u will wonder, but we can not understand it in the real sense of a real relationship with them.
The painful end of the story seems to complete the shock of the movie stream and dried you up.
Grizzly Man is a movie that all fans of documentary movie Should see.
Awesome and lovely documentary for particular audiences and cinema friends, especially pro-Iranian film directors.
The documentary of the grass actually deals with the Bakhtiar migration.
It begins with fragments of the lives of the Arab and Iranian people while traveling to the central and southern areas, and ultimately lead to a huge going out.
Their greatness can be understood from Extreme Long Shots.
Watching this movie you will familiar acquainted with clan, with almost no urbanization, and this is a very painful topic.
Foreign moviemakers are three of them who, with their time-honored facilities, can be said to have done a great deal, and they have worked very hard to show the truth of that time and geography.
A striking point in this film is the confrontation with the hardships and difficulties of the going out.
Crossing the Karoon River and passing the Yellow Mountain, the third largest mountain in Iran, shows the goodness of the efforts of women and children in rural areas.
They do not go without purpose, they live in the grass and the artery of their lives, and they strive for it as they encounter the hardest hardships.
They have the thought to succeed and they have all the power to reach the goal.
If you like the history and documentary cinema and Iran, you are welcome to watch this movie.
Inside I'm Dancing (2004)
Believe in disability, will break human.
On the other hand, the illusion of ability also has the same result. Realism with hope, but the key is our story.
They are two disadvantaged wheelchairs who can not define stop for their desire for their revelation.
They got progress to prove themselves.
Their desire for revelation within the environment and the discovery and experience, emphasizes the fact that they are realizing a solid slap.
As Michael decides to return to the sanatorium, he will give up him.
The film, in fact, illustrates the delicate points and currents from the window of view of people with disabilities and low-level attitudes.
As an audience, you spend hours spoiling, which means the powerful impact of the film that helps us have a mutual understanding of the cortex we are weaker.
We are really afraid of seeing like this documentary film.
The key to the flow of our lack of welcome is from like this films and under the text of the film is apear.
The hamburger fans dose not like to know how make it. Just love the hamburger.
Where does our desire come from, and why we force suffering to alive creatures that are not just like ours.
We feel pain well. We are just one species of mammals and have many physiological similarities with each species.
The most important issue of these is pain and pain tolerance.
We know that they can also feel pain; so,
Should we kill them in our industrial way?
Is there no solution?
Are there different plant species to replace our nutritional habits?
Do not vegeterian human beings live?
These are the questions that perhaps a few people of today have specific answers to, but still there is a high demand for the greatest human nothought - mere carnivorous.
The Earthling documentary movie helps you understand the current cycle and method of modern meat production of today human.
Damagh be sabke irani (2006)
A documentary on the subject of the nose, at which moment the fever of nose surgery in Tehran and the big cities of Iran was intensely explosive, was directed by Mehrdad Oskouyi, which, according to interviews and field surveys, showed the depth and penetration of fever have given.
The crucial point in the construction and portrayal of this work can be seen from a variety of angles to the subject, in this regard, the work is well done.
The subject is examined from the angle of aesthetics, complication both in terms of collective psychology and in terms of medical disaster, as well as on the external angle, free expression from the outside and the attitude of an external photographer, which reflects the diversity in the realistic examination More effect.
Although the film was made in 2005, however, it is a good idea for anyone looking for a change in their face to look at at least once.
Ordinary People (1980)
The story of a three-person family centered solely on the surviving son of a painful incident in which the great boy lost his family.
The type of drum is generally double-sided, as the audience in the first place thinks that the cause of depression and states and Conrad's nervous attacks stems from his bitter experience while trying to save his brother, but the film Indeed, there is a reference to the science of psychology and its applied theories.
Conrad's action for engagement with a psychologist and finding his problem and his true sense of therapy in reflecting his behavior is a key milestone.
As far as his father Kalvin is being Therapyed. In the following, you will find that shock and hit caused by the drowning of the older brother in the creation of this space, but what was certain and important has occurred in the underlying layers.
In general, we can find that perhaps this is not the whole story.
What is certain is that rooting Beth's behavior as a wife for Kelvin and as a mother for Conrad can be seen in the second layer of the movie.
However, with a fundamental review, with the Burger rule as Dr. Conrad, leads to a main result.
However, this is not the whole story, and it demands that you, as the audience, see the whole film, and make a conclusive general and, of course, personal and definitive conclusion to the whole effect.
This film is a relatively old film in time division and has a roots of thirty-eight years, and it is recommended for those with friends who have psychological studies.
All Roads Lead Home (2008)
It's about the animal's axis and its rights.
It also has the feature of drama, which means that it will include in it the story which to bring the film ahead and bring the audience to the film.
But its overall appeal is about the relationship between the girl and her grandfather and the way they look at the animals.
In general, Basic and fundamental changes in the approach of humans to each issue are seen with the sacrifice and transfer from generation to generation, and this change of approach in the story of the film is somewhat respected, but when an elderly man has the flexibility himself It seems like the change process is going to improve our situation and our attitude toward issues as if it were going forward ten years ago, and we do not drown in the swamp of our time.
The film is well worth mentioning about the impact of change in look and the direct relationship we are having with the progress of the course on the subject of the film.
Of course, with a little deeper insight, this can be extended to all aspects of life.
Believing change and attitudes can significantly reduce the costs of arrears that arise from selfishness and personal ambitions, which means progress.
At first glance, the film shocked its audience with an unpleasant incident, but in the third scenario, the recovery is going well and there are some good changes in Hook's brain, with his granddaughter, Bele.
It's not bad to see the film from the direction of view and look better for tomorrow. This movie will help you.
Mitt liv som hund (1985)
All of us had an Ingmar as inside child that we either cared for, or banned or killed it.
This was the first thing come to my mind after watching this movie.
A very awesome Swedish film was made about thirty-two years ago and clearly illustrates the psychological world of a seven-year-old child who, at the same time as a child, has a large inside with a lot of exterior experiences, such as displacement, separation from his beloved dog and The next two boys in the family and, of course, maternal love and hatred.
in this movie, quarrels make a great and strong drama in story.
His world, and child like him, is understandable if, as we have seen in the film, we see a deep understanding of the parallelism of the psyche.
during watching the film, we are also simphathy to our own childhood and find its parallels.
The film was made in a way that seems to be the story of a childhood film maker.
Fantasy works well here and we find that the Scandinavian cinema films should also have a good base, such as the film.
In fact, by seeing a sweet effect, we are going a little more or less towards thinking, and this means the miracle of the seventh art of cinema.
The movie is not anti-war. Incidentally, nationalist sentiments are fluttering in its first part.
The movie strikes. The message is paradoxical. On the other hand, it shows nationalism and flag in a purely military army with the difference between the two brothers and their father, and in the final part, the conclusion continuation of militarism in the home is artistically embraced.
Are human returning from war, can they remain emotionally and at the standard level of life?
Perhaps it's not exactly the film's main title, because it's the tipping point of the film in the drowning of Sam in the outburst of personal thoughts.
what is the reactin conclusion of skeptic mind us? Why do we want or do not want it anymore? The two concepts go so far as to make people really feel at risk in dealing with these people.
Grace and Tommy's approach to Sam was very passive and conscious, so that they could not defend themselves much in their own innocence.
The director depicts the category of war to its subsequent works in a way that actually reflects the last sentence of the Sam.
He is severely lonely and completely abandoned in the swamp of his inner assumptions.The war ends only for those who are dead.
The staggering and strong points that are emerging as fundamental issues of the film are well illustrated by the shocking angles of a negative transformation for one called the national hero.
Perhaps one can appreciate that the best possible for a soldier is death, not life.
Diario de una ninfómana (2008)
Basically attention for these kinds of themes, as the film's name implies, in the default mode, directs the human mind to issues outside of the commonplace of cinema outside the frameworks.
But when it comes to seeing the film, it goes back a bit. In the movie, you experience a new chapter in the synpathy while watching the film, regardless of the gender issue, which means the perception of a person who is not like us and experiences another kind of world.
Perhaps if we can extend this issue and deal with it in a larger circle, and this is the biggest issue in our small world, mutual understanding.
The film deals with personal life that maybe like many of us humans and maybe not. Of course, addressing such a problem may seem, deceptive, and in the direction of the box, but with the average score taken from the audience in imdb, it can not be considered parallel to this issue.
Valerie's unique experience in the face of a new situation, his marriage to Jaime, is well illustrated by the pessimist and skepticism that leads to disaster, and Valeria, with psychic tact, rushing hard days in a "cinematic" It's the magic of cinema.
Of course, the film has a serious drawback, as it concludes at the end of the phase with that it closes the film in a certain characteristic of time, which means that its filmmaker's lack of initiative at the last stage .
In general, you can get a good score on the film simply because of the type of subject selection and the start and duration of the movie.
An Italian film, which has an erotic nature, and behind its entirely sexual level, is a story that may well be behind the scenes of real life.
The title seems to be seemingly simple, and its perform in the form of cinema is surely due to the type of performance, stubborn opponents, and definite supporters.
Of course, the huge audience of these films, are the followers of director's favorite genre, follows the aspects of the appearance of the film, but what can be drawn out as an important summary of the film that it really could think of, the relationship of jealousy And the harshness and its relation to the issue of sexual relations in the dimension of married life.
Certainly, the kind of review of these issues depends to a certain extent on the geography of the film, so it is certainly not in the Middle East that the psychoanalytic issues in the cinema come to the attention of the cinema, as a subject of review.
An issue that is not addressed in this particular community is a clearly identifiable answer, even in the sense of an important issue, and there is basically no response to it.
Italy has a long history in making these films, in which it can be understood that the nature of the effect of satisfaction or lack of satisfaction and its effect on the human body and mind.
Of course, each of these films has a different response to these events, but what matters is the courage to pay attention to the issue in any way to break the taboo that humans face in their subjective mental questions.
Tehran anar nadarad (2007)
Tehran has no Pomegranate is a documentary that refers to fall in both its name and its text.
The fall of a city that seems to be progressing but not in the real sense.
The humor narrative style can be called real humorous category, so you have to cry in this situation, but it laughs because of its type.
Tehran has no pomegranate narratives. It is a satirical narrative of what is happening to us.
From the hot history to today.
Our course is in a way that we can not yet specifically claim that we have succeeded.
A documentary line with reports and humorous templates announces these signs.
Even in a particular narrative of our condition and livelihood we are in paradox.
The biography of Ja'far is a good example of this claim, from the first to the end of the story of Jafar, and the turning point of the good from bad to bad, from bad to awful, awful towards good, and finally, Ja'far's wish for This is a matter of bringing his family to Tehran one day; Tehran is a good place !!!
The paradox in the movie in narrative and courage in comparing classes and collecting various subject information is another striking feature of the film in terms of effectiveness.
The mention of the film is also unique in its history and manner of presentation and writing, so that it transmits it to the audience as well as its subtext.
Congratulations by Delay to dear Massoud Bakhshi and his team to make a fascinating documentary in which our story is actually narrated and puts us in our chair.
hope to returning the Pomegranately days to Tehran.
Une vraie jeune fille (1976)
After watching this film, you only find that France of the seventies has no level and desire but unrestrained, and the direction of it follows a kind of action from pure ignorance along with the struggle for having sex without purpose.
Addressing this issue in this way justifies a story in the making of this film. Trying to get the box.
It's not our question whether this film has been successful at the box office.
Undisturbed understanding of this kind is not far from conceivable.
It can be conceptually free from our reception, but the film is not merely a geography of its own and can be seen in the world and, of course, judgment.
The desire of a girl who returned to her family during the summer vacation and was not interested in this issue, justifiably justifies her desire to inquire about her own world, which, in order to understand the new experiences, saves her understanding of the experience of her inner rebellion in various forms.
Her illusion and fantasy can be understood, in part, by the perceiving personality of each member of his family, but his appearance in this way reflects the ugliness of the scriptwriter's thinking, regardless of his psychological discovery.
The film actually does not have the story, and only makes the audience fantasy instead of thinking. Do not watch the movie.
This film make us deeply thinking.
Thinking about accepting or not accepting that being beautiful is a solid reason to be vulnerable.
In fact, one-sided opposition to a society where the majority of its mankind suffers from the complexities of one-sidedness of traditionalism requires a strong soul.
The key question is whether the movie wants to believe or accept us.
Accepting the belief that such a world is outside the angle of view of the pretty girl of the city is very hellish and horrible.
What ever before and after the incident.
Of course, this is evident after the incident, but before that, the question is whether it is a pleasure to be seen with this volume.
Believe which direction to look at, in what direction, can it be appealing in the face of its apparent connotations that mark us?
Whether the subject matter in the cinema may have a fruitful effect is directly related to the capacity, culture, and the type of exposure to the geographic mass of that country.
But as a foreigner, the viewer of this film, considering that it does not sad us, must be seen and think about how close this attitude is to us.
The slightest thing that can be seen for how the film is influenced by the national dimension of both the constructive and the global dimension is the bitter laugh that we may face from our unconscious acceptance of the approval of this issue, and the adoption of this rule, which at least With certainty it can not be totally rejected.
The degree of sensitivity to acceptance and rejection of the audience is a moral medal that we all humans deny and give ourselves to.
The film is artistically pointing out the psychological effects of a very shaky and unpredictable (rape) attack, so that we believe that all of us collapse in the failure of such a futile structure and cease.
The film, of course, contains inscrutable points, so far as we do not know exactly how love can affect this level of logic as well, one who desperately wants to die.
Its extraordinary sequences include the latest sequences.
We do not have mercy to each other death.